Red Tails …. The story of the Tuskegee Airmen – HD Movie Trailer – Lucas film Official Trailer


by on Jul 29, 2011

First Public Promotional Trailer for the feature film RED TAILS.

1944. World War II rages and the fate of the free world hangs in the balance. Meanwhile the black pilots of the experimental Tuskegee training program are courageously waging two wars at once — one against enemies overseas, and the other against discrimination within the military and back home. Racial prejudices have long held ace airman Martin “Easy” Julian (Nate Parker) and his black pilots back at base — leaving them with little to do but further hone their flying skills — while their white counterparts are shipped out to combat after a mere three months of training. Mistakenly deemed inferior and assigned only second-rate planes and missions, the pilots of Tuskegee have mastered the skies with ease but have not been granted the opportunity to truly spread their wings. Until now.
As the war in Europe continues to take its dire toll on Allied forces, Pentagon brass has no recourse but to reconsider these under-utilized pilots for combat duty. Just as the young Tuskegee men are on the brink of being shut down and shipped back home, Col. A.J. Bullard (Terrence Howard) awards them the ultimate chance to prove their mettle high above. Undaunted by the prospect of providing safe escort to bombers in broad daylight — a mission so dangerous that the RAF has refused it and the white fighter groups have sustained substantial losses — Easy’s pilots at last join the fiery aerial fray. Against all the odds, with something to prove and everything to lose, these intrepid young airmen take to the skies in a heroic endeavor to combat the enemy — and the discrimination that has kept them down for so long.

Directed by: Anthony Hemingway.

Starring: Cuba Gooding, Jr., Terrence Howard, Bryan Cranston, Brandon T. Jackson and Nate Parker.

Red Tails is an upcoming film directed by Anthony Hemingway, from a script by John Ridley and story by executive producer George Lucas. It is based on the Tuskegee Airmen, a group of African American combat pilots during World War II, and is the first Lucasfilm Ltd. production since Radioland Murders (1994) not to be associated with the Indiana Jones or Star Wars franchises.

George Lucas began developing Red Tails around 1988. He compared it to Tucker: The Man and His Dream as “a story too good to be true”. Thomas Carter was his original choice to direct. A number of writers worked on the project until John Ridley was hired in 2007 to write the final screenplay. Lucas held discussions with Samuel L. Jackson regarding Jackson possibly directing and acting in the film. Although Jackson praised the script, he did not commit to either role. Anthony Hemingway was finally chosen to direct in 2008. In researching the film, Lucasfilm invited some of the surviving Tuskegee Airmen to Skywalker Ranch, where they were interviewed about their experiences during World War II. Lucasfilm was also given access to the original mission logbooks used by some of the pilots.
Production began in March 2009. High-definition Sony F35 cameras were used for principal photography, which took place in the Czech Republic, Italy, Croatia and England. While shooting in the Czech Republic, the actors underwent a “boot camp” program, during which they lived in similar conditions as the actual Tuskegee Airmen. Editing began while the production was in Prague. Avid editing systems were used simultaneously in a Prague studio and at Lucasfilm. A vehicle was fitted with a “technical center” so that the production could quickly move between locations. In March 2010, Lucas took over direction of reshoots, as Hemingway was busy working on episodes of the HBO series Treme. Hemingway will have final approval over the footage.

Septima Poinsette – activist,teacher, wife – Black History


Septima Poinsette Clark was a teacher and civil rights activist whose citizenship schools helped enfranchise and empower African Americans.

Born on May 3, 1898, in Charleston, South Carolina, Septima Poinsette Clark branched out into social action with the NAACP while working as a teacher. As part of the Southern Christian Leadership Conference, she set up citizenship schools that helped many African Americans register to vote. Clark was 89 when she died on December 15, 1987, on South Carolina’s Johns Island.

Early Life

Septima Poinsette Clark was born on in Charleston, South Carolina, May 3, 1898, the second of eight children. Her father—who had been born a slave—and mother both encouraged her to get an education. Clark attended public school, then worked to earn the money needed to attend the Avery Normal Institute, a private school for African Americans.

Teaching and Early Activism

Clark qualified as a teacher, but Charleston did not hire African Americans to teach in its public schools. Instead, she became an instructor on South Carolina’s Johns Island in 1916.

In 1919, Clark returned to Charleston to teach at the Avery Institute. She also joined with the National Association for the Advancement of Colored People in trying to get the city to hire African-American teachers. By gathering signatures in favor of the change, Clark helped ensure that the effort was successful.

Clark married Nerie Clark in 1920. Her husband died of kidney failure five years later. She then moved to Columbia, South Carolina, where she continued teaching and also joined the local chapter of the NAACP. Clark worked with the organization—and with Thurgood Marshall—on a 1945 case that sought equal pay for black and white teachers. She described it as her “first effort in a social action challenging the status quo.” Her salary increased threefold when the case was won.

Going back to Charleston in 1947, Clark took up another teaching post, while maintaining her NAACP membership. However, in 1956, South Carolina made it illegal for public employees to belong to civil rights groups. Clark refused to renounce the NAACP and, as a result, lost her job.

Civil Rights Leader

Clark was next hired by Tennessee’s Highlander Folk School, an institution that supported integration and the Civil Rights Movement. She had previously participated in and led workshops there during breaks from school (Rosa Parks had attended one of her workshops in 1955).

Clark soon was directing Highlander’s Citizenship School program. These schools helped regular people learn how to instruct others in their communities in basic literacy and math skills. One particular benefit of this teaching was that more people were then able to register to vote (at the time, many states used literacy tests to disenfranchise African Americans).

In 1961, the Southern Christian Leadership Conference took over this education project. Clark then joined the SCLC as its director of education and teaching. Under her leadership, more than 800 citizenship schools were created.

Awards and Legacy

Clark retired from the SCLC in 1970. In 1979, Jimmy Carter honored her with a Living Legacy Award. She received the Order of the Palmetto, South Carolina’s highest civilian honor, in 1982. In 1987, Clark’s second autobiography, Ready from Within: Septima Clark and Civil Rights, won an American Book Award (her first autobiography, Echo in My Soul, had been published in 1962).

Clark was 89 when she died on Johns Island on December 15, 1987. Over her long career of teaching and civil rights activism, she helped many African Americans begin to take control of their lives and discover their full rights as citizens.

Fact Check

We strive for accuracy and fairness. If you see something that doesn’t look right, contact us!

Remembering the Harlem Hellfighters – Black History is American History


Lonnie G. Bunch III, Museum director, historian, lecturer, and author, is proud to present a page from Our American Story, a regular online series for Museum supporters. It showcases individuals and events in the African American experience, placing these stories in the context of a larger story—our American story.

Remembering the Harlem Hellfighters

As the world prepares to mark the 100th anniversary of the end of World War I this November, the National Museum of African American History and Culture is shining a spotlight on the critical role played by the approximately 200,000 African Americans who served in Europe during the conflict, including roughly 42,000 of whom saw combat.

One of the most renowned units of African American combat troops was the highly decorated 369th Infantry Regiment—best known as the “Harlem Hellfighters”—heroes whose stories, until recently, had largely been forgotten.

Before setting out for Europe, the unit was refused permission to participate in the farewell parade of New York’s National Guard, known as the “Rainbow Division,” because “black is not a color in the rainbow.”

But after being assigned to fight under the 16th Division of the French Army—because many white American soldiers refused to serve with black soldiers—they quickly proved their bravery and combat skills.

The regiment was originally nicknamed the “Black Rattlers” for the rattlesnake insignia that adorned their uniforms, and they were called “Men of Bronze” by the French.

It is believed that their German foes were the first to dub them “Hellfighters” for their courage and ferocity.

World War I Croix de Guerre

World War I Croix de Guerre medal awarded to the 369th Infantry Regiment. Collection of the Smithsonian National Museum of African American History and Culture.

In one engagement two of the most celebrated members of the unit, Private Henry Johnson and Private Needham Roberts, fought off an entire German patrol despite being severely wounded and out of ammunition. After Roberts became incapacitated, Johnson ultimately resorted to using his bolo knife.

During the war, the Harlem Hellfighters spent more time in continuous combat than any other American unit of its size, with 191 days in the frontline trenches. They also suffered more losses than any other American regiment, with more than 1,400 total casualties.

The extraordinary valor of the Harlem Hellfighters earned them fame in Europe and America, as newspapers recounted their remarkable feats. After the war, the French government awarded the coveted Croix de Guerre medal to 171 members of the regiment, as well as a Croix de Guerre citation to the unit as a whole. Certain members of the Harlem Hellfighters received a Distinguished Service Cross and other awards from the U.S. government. In 2015, Johnson received a Medal of Honor.

The Harlem Hellfighters were the first New York combat unit to return home, and the regiment, which had been denied a place in the farewell parade the prior year, was rewarded with a victory parade.

Stereograph of homecoming parade for the Harlem Hellfighters, 1919. Collection of the Smithsonian National Museum of African American History and Culture.

On February 17, 1919, New Yorkers of every race turned out in huge numbers to cheer as 3,000 Harlem Hellfighters proudly marched up Manhattan’s Fifth Avenue to the music of their renowned regimental jazz bandleader, James Reese Europe.

Unfortunately, their fame quickly faded, and for nearly 100 years the remarkable story of the Harlem Hellfighters was largely erased from America’s national consciousness.

With the opening of the National Museum of African American History and Culture, however, the courage and service of African American patriots like the Harlem Hellfighters is once again being recognized and celebrated.

The Museum’s Double Victory: The African American Military Experience exhibition explores how the African Americans who served in the military since the American Revolution have not only defended our country but also helped to lead the fight for equality and justice for the greater African American community.

As a Museum supporter, you can be proud of the important role that you play in bringing African American history, such as the story of the Harlem Hellfighters, to life—educating and inspiring people across America and around the world!

All the best,
DD YE year end 1 signature
Lonnie G. Bunch III
Founding Director

P.S. The Harlem Hellfighters served with distinction and proved that African Americans could fight as bravely and as well as white soldiers. However, they returned home to a nation that still treated them as second-class citizens. For almost a century their extraordinary exploits were largely forgotten, until the Museum reestablished their heroism in our national story. Thank you for your support. I hope you will consider joining as a Member or making a donation today.