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Jim crow… did you know?


Jim Crow Era

After the Civil War, there was a period from about 1865 to 1877 where federal laws offered observable protection of civil rights for former slaves and free blacks; it wasn’t entirely awful to be an African American, even in the South. However, starting in the 1870s, as the Southern economy continued its decline, Democrats took over power in Southern legislatures and used intimidation tactics to suppress black voters. Tactics included violence against blacks and those tactics continued well into the 1900s. Lynchings were a common form of terrorism practiced against blacks to intimidate them. It is important to remember that the Democrats and Republicans of the late 1800s were very different parties from their current iterations. Republicans in the time of the Civil War and directly after were literally the party of Lincoln and anathema to the South. As white, Southern Democrats took over legislatures in the former Confederate states, they began passing more restrictive voter registration and electoral laws, as well as passing legislation to segregate blacks and whites.

It wasn’t enough just to separate out blacks – segregation was never about “separate but equal.” While the Supreme Court naively speculated in Plessy v. Ferguson that somehow mankind wouldn’t show its worst nature and that segregation could occur without one side being significantly disadvantaged despite all evidence to the contrary, we can look back in hindsight and see that the Court was either foolishly optimistic or suffering from the same racism that gripped the other arms of the government at the time. In practice, the services and facilities for blacks were consistently inferior, underfunded, and more inconvenient as compared to those offered to whites – or the services and facilities did not exist at all for blacks. While segregation was literal law in the South, it was also practiced in the northern United States via housing patterns enforced by private covenants, bank lending practices, and job discrimination, including discriminatory labor union practices.

This kind of de facto segregation has lasted well into our own time.

The era of Jim Crow laws saw a dramatic reduction in the number of blacks registered to vote within the South. This time period brought about the Great Migration of blacks to northern and western cities like New York City, Chicago, and Los Angeles. In the 1920s, the Ku Klux Klan experienced a resurgence and spread all over the country, finding a significant popularity that has lingered to this day in the Midwest. It was claimed at the height of the second incarnation of the KKK that its membership exceeded 4 million people nationwide. The Klan didn’t shy away from using burning crosses and other intimidation tools to strike fear into their opponents, who included not just blacks, but also Catholics, Jews, and anyone who wasn’t a white Protestant.

This time period was not without its triumphs for blacks, even if they came at a cost or if they were smaller than one would have preferred. The NAACP was founded in 1909, in response to the continued practice of lynching and race riots in Springfield, Ill. From the 1920s through the 1930s in Harlem, New York, a cultural, social, and artistic movement took place that was later coined the Harlem Renaissance. Musicians like Duke Ellington and Jelly Roll Morton, writers such as Zora Neale Hurston and Langston Hughes, it-girls like Josephine Baker, and philosophers like W.E.B. Du Bois all had a hand in the Harlem Renaissance and American culture as a whole is richer and better for it. 

Notable Supreme Court Cases:

  • The Slaughter-House Cases, 83 U.S. 36 (1873) – this series of three cases, which were consolidated into one issue, offered the first opinion from the Supreme Court on the 14th Amendment. The court chose to interpret the rights protected by the 14th Amendment as very narrow and this precedent would be followed for many years to come.
  • Civil Rights Cases, 109 U.S. 3 (1883) – in this set of five cases that were consolidated into one issue, a majority of the court held the Civil Rights Act of 1875 unconstitutional against the lone famous dissent of Justice Harlan. The majority argued that Congress lacked authority to regulate private affairs under the 14th Amendment and that the 13th Amendment “merely abolishe[d] slavery”. Segregation in public accommodations would not be declared illegal after these cases until the Civil Rights Act of 1964.
  • Plessy v. Ferguson, 163 U.S. 537 (1896) – this is the case which gave us the phrase “separate but equal” and upheld state racial segregation laws for public facilities. Justice Harlan again offered a lone dissent. These laws would remain in play until 1954.

Selected Library Resources:

Additional Resources:

library.law.howard.edu

Edward william Brooke – Black History


Edward William Brooke III was an American Republican politician. In 1966, he became the first African American popularly elected to the United States Senate. He represented Massachusetts in the Senate from 1967 to 1979.

Brooke was born on October 26, 1919 and raised in Washington, D.C.. He graduated from the Boston University School of Law after serving in the United States Army during World War II. After serving as chairman of the Finance Commission of Boston, Brooke won election as Massachusetts Attorney General in 1962. In 1966, he defeated Democratic Governor Endicott Peabody in a landslide to win election to the Senate.

In the Senate, Brooke aligned with the liberal faction of Republicans. He co-wrote the Civil Rights Act of 1968, which prohibits housing discrimination. Brooke became a prominent critic of President Richard Nixon and was the first Senate Republican to call for Nixon’s resignation in light of the Watergate scandal.

for the complete article … Blackthen.com

by jae jones

“Hidden Figures,”The True Story of the Forgotten Women Who Helped Win the Space Race – Black History


A new book and movie document the accomplishments of NASA’s black “human computers” whose work was at the heart of the country’s greatest battles

Melba Roy
Melba Roy led the the group human computers who tracked the Echo satellites in the 1960s. (NASA)
smithsonian.com
September 8, 2016 | Updated: December 29, 2016

As America stood on the brink of a Second World War, the push for aeronautical advancement grew ever greater, spurring an insatiable demand for mathematicians. Women were the solution. Ushered into the Langley Memorial Aeronautical Laboratory in 1935 to shoulder the burden of number crunching, they acted as human computers, freeing the engineers of hand calculations in the decades before the digital age. Sharp and successful, the female population at Langley skyrocketed.

 

Many of these “computers” are finally getting their due, but conspicuously missing from this story of female achievement are the efforts contributed by courageous, African-American women. Called the West Computers, after the area to which they were relegated, they helped blaze a trail for mathematicians and engineers of all races and genders to follow.

“These women were both ordinary and they were extraordinary,” says Margot Lee Shetterly. Her new book Hidden Figures shines light on the inner details of these women’s lives and accomplishments. The book’s film adaptation, starring Octavia Spencer and Taraji P. Henson, is new open in theaters

“We’ve had astronauts, we’ve had engineers—John Glenn, Gene Kranz, Chris Kraft,” she says. “Those guys have all told their stories.” Now it’s the women’s turn.

Growing up in Hampton, Virginia, in the 1970s, Shetterly lived just miles away from Langley. Built in 1917, this research complex was the headquarters for the National Advisory Committee for Aeronautics (NACA) which was intended to turn the floundering flying gadgets of the day into war machines. The agency was dissolved in 1958, to be replaced by the National Aeronautics and Space Agency (NASA) as the space race gained speed.

The West Computers were at the heart of the center’s advancements. They worked through equations that described every function of the plane, running the numbers often with no sense of the greater mission of the project. They contributed to the ever-changing design of a menagerie of wartime flying machines, making them faster, safer, more aerodynamic. Eventually their stellar work allowed some to leave the computing pool for specific projects—Christine Darden worked to advance supersonic flight, Katherine Johnson calculated the trajectories for the Mercury and Apollo missions. NASA dissolved the remaining few human computers in the 1970s as the technological advances made their roles obsolete.

The first black computers didn’t set foot at Langley until the 1940s. Though the pressing needs of war were great, racial discrimination remained strong and few jobs existed for African-Americans, regardless of gender. That was until 1941 when A. Philip Randolph, pioneering civil rights activist, proposed a march on Washington, D.C., to draw attention to the continued injustices of racial discrimination. With the threat of 100,000 people swarming to the Capitol, President Franklin D. Roosevelt issued Executive Order 8802, preventing racial discrimination in hiring for federal and war-related work. This order also cleared the way for the black computers, slide rule in hand, to make their way into NACA history.

Katherine Johnson at her desk at Langley with a
Katherine Johnson at her desk at Langley with a “celestial training device.” (NASA)

Exactly how many women computers worked at NACA (and later NASA) over the years is still unknown. One 1992 study estimated the total topped several hundred but other estimates, including Shetterly’s own intuition, says that number is in the thousands.

As a child, Shetterly knew these brilliant mathematicians as her girl scout troop leaders, Sunday school teachers, next-door neighbors and as parents of schoolmates. Her father worked at Langley as well, starting in 1964 as an engineering intern and becoming a well-respected climate scientist. “They were just part of a vibrant community of people, and everybody had their jobs,” she says. “And those were their jobs. Working at NASA Langley.”

Surrounded by the West Computers and other academics, it took decades for Shetterly to realize the magnitude of the women’s work. “It wasn’t until my husband, who was not from Hampton, was listening to my dad talk about some of these women and the things that they have done that I realized,” she says. “That way is not necessarily the norm”

The spark of curiosity ignited, Shetterly began researching these women. Unlike the male engineers, few of these women were acknowledged in academic publications or for their work on various projects. Even more problematic was that the careers of the West Computers were often more fleeting than those of the white men. Social customs of the era dictated that as soon as marriage or children arrived, these women would retire to become full-time homemakers, Shetterly explains. Many only remained at Langley for a few years.

But the more Shetterly dug, the more computers she discovered. “My investigation became more like an obsession,” she writes in the book. “I would walk any trail if it meant finding a trace of one of the computers at its end.”

She scoured telephone directories, local newspapers, employee newsletters and the NASA archives to add to her growing list of names. She also chased down stray memos, obituaries, wedding announcements and more for any hint at the richness of these women’s lives. “It was a lot of connecting the dots,” she says.

“I get emails all the time from people whose grandmothers or mothers worked there,” she says. “Just today I got an email from a woman asking if I was still searching for computers. [She] had worked at Langley from July 1951 through August 1957.”

Langley was not just a laboratory of science and engineering; “in many ways, it was a racial relations laboratory, a gender relations laboratory,” Shetterly says. The researchers came from across America. Many came from parts of the country sympathetic to the nascent Civil Rights Movement, says Shetterly, and backed the progressive ideals of expanded freedoms for black citizens and women.

But life at Langley wasn’t just the churn of greased gears. Not only were the women rarely provided the same opportunities and titles as their male counterparts, but the West Computers lived with constant reminders that they were second-class citizens. In the book, Shetterly highlights one particular incident involving an offensive sign in the dining room bearing the designation: Colored Computers.

One particularly brazen computer, Miriam Mann, took responding to the affront on as a her own personal vendetta. She plucked the sign from the table, tucking it away in her purse. When the sign returned, she removed it again. “That was incredible courage,” says Shetterly. “This was still a time when people are lynched, when you could be pulled off the bus for sitting in the wrong seat. [There were] very, very high stakes.”

But eventually Mann won. The sign disappeared.

The women fought many more of these seemingly small battles, against separate bathrooms and restricted access to meetings. It was these small battles and daily minutiae that Shetterly strove to capture in her book. And outside of the workplace, they faced many more problems, including segregated busses and dilapidated schools. Many struggled to find housing in Hampton. The white computers could live in Anne Wythe Hall, a dormitory that helped alleviate the shortage of housing, but the black computers were left to their own devices.

“History is the sum total of what all of us do on a daily basis,” says Shetterly. “We think of capital “H” history as being these huge figures—George Washington, Alexander Hamilton and Martin Luther King.” Even so, she explains, “you go to bed at night, you wake up the next morning, and then yesterday is history. These small actions in some ways are more important or certainly as important as the individual actions by these towering figures.”

The book and movie don’t mark the end of Shetterly’s work She continues to collect these names, hoping to eventually make the list available online. She hopes to find the many names that have been sifted out over the years and document their respective life’s work.

The few West Computers whose names have been remembered, have become nearly mythical figures—a side-effect of the few African-American names celebrated in mainstream history, Shetterly argues. She hopes her work pays tribute to these women by bringing details of their life’s work to light. “Not just mythology but the actual facts,” she says. “Because the facts are truly spectacular.”

 Image result for hidden figures nasa photos

Charles Wright Museum ~ thewright.org


Founded in 1965, the Charles H. Wright Museum of African American History has for over half a century been a leading institution dedicated to the African American experience.
Our mission is to open minds and change lives through the exploration and celebration of African American history and culture. Our vision is of a world in which the adversity and achievement of African American history inspire everyone toward greater understanding, acceptance and unity!

The Wright Museum houses over 35,000 artifacts and archival materials and is home to the Blanche Coggin Underground Railroad Collection, Harriet Tubman Museum Collection, Coleman A. Young Collection and the Sheffield Collection, a repository of documents of the labor movement in Detroit. The museum also features:
• And Still We Rise: Our Journey Through African American History and Culture, the museum’s 22,000 square foot, interactive core exhibit, which is the largest single exhibition on African American history in existence
• The Ford Freedom Rotunda and its 95-foot wide by 65-foot high glass dome; this architectural wonder is more than twice the width of the State Capitol dome and just one foot shy of the width of the U.S. Capitol dome
• Ring of Genealogy, a 37-foot terrazzo tile creation by artist Hubert Massey surrounded by bronze nameplates of prominent African Americans in history
• Inspiring Minds: African Americans in Science and Technology, a permanent exhibition focused on S.T.E.M. (science, technology, engineering, and mathematics) concepts for children
• The Louise Lovett Wright Library and Robert L. Hurst Research Center
• The General Motors Theater, a 317-seat facility for live performances, film, presentations and more
• Over 300 public events annually including concert performances, theatrical productions, film screenings, lectures, and family and children’s programming. The museum also serves as a facility for countless private functions including weddings, anniversaries, corporate meetings and conferences, memorial services, and community events. All told, The Wright serves over half a million people annually through its exhibitions, programs, and events such as African World Festival.

History

“My legacy was my job. Everything I did was what I was supposed to do. I worked with untold numbers of mothers to deliver 7,000 babies in Detroit, partnered with Margaret Burroughs, founder of the DuSable Museum of African American History in Chicago, to form the African American Museums Association… I was committed to what I defined as ‘one of the most important tasks of our times,’ ensuring that generations, especially young African Americans, are made aware of and take pride in the history of their forbears and their remarkable struggle for freedom. An idea came to me that African Americans needed a museum to collect and preserve our history and culture. And, with the help of many minds and hands, that idea came to fruition.” ~ Dr. Charles H. Wright

Dr. Charles Wright, an obstetrician and gynecologist, envisioned an institution to preserve Black history after visiting a memorial to Danish World War II heroes in Denmark. As a result of this visit, he was convinced that African Americans needed a similar resource center to document, preserve and educate the public on their history, life and culture. On March 10, 1965, Dr. Wright, in partnership with a racially integrated group of 33 community members, established Detroit’s first International Afro-American Museum. The Museum, known by the acronym I AM, opened on January 30, 1966 at 1549 West Grand Boulevard with dozens of exhibits showcasing such items as African masks from Nigeria and Ghana and the inventions of Elijah McCoy. Also in 1966, the I AM traveling museum, housed in a converted mobile home, began touring the state and spreading information about the contributions of African Americans.

In the fall of 1978, the City of Detroit agreed to lease the Museum a plot of land between John R and Brush Streets to build a facility five times larger than its predecessor. In order to raise funds, Detroit Public School students participated in a “Buy a Brick” campaign, raising $80,000 for the new facility. Following the students’ initiative, a group of adults started the Million Dollar Club in which each member pledged at least $1,000. This major fundraiser earned $300,000. In 1985, the Afro-American Museum and the City of Detroit formed a partnership to build a new facility in the city’s University Cultural Center, securing the funding to complete the $3.5 million facility. The name of the International Afro-American Museum was changed to the Museum of African American History and ground was broken for a new facility on May 21, 1985. Two years later, on May 8, 1987, the doors of the Museum of African American History were reopened to the public at 301 Frederick Douglass. The new 28,000-square-foot structure accommodated a range of offerings. Featuring a series of exhibits, lectures, concerts, cultural celebrations, festivals and programs designed especially for children, it preserved the past and strengthened the future.

Once again the museum outgrew its facility and grander ideas for a new museum took shape. In 1992, Detroit voters authorized the City of Detroit to sell construction bonds to finance a larger building and ground was broken for the third generation of the Museum in August of 1993. On April 12, 1997, a 125,000 square-foot, state-of-the-art facility opened, making it the largest African American historical museum in the world. On March 30, 1998, the museum was renamed the Charles H. Wright Museum of African American History in honor of its founder. After a half century of service and with generous support from individuals, foundations, corporations, and government sources, The Wright Museum continues to be a cultural icon in the city of Detroit and throughout the world.

Read the “Detroit Physician Voices Resentment of A.M.A. Indifference” from the Journal of the National Medical Association, an article written by Dr. Charles H. Wright.

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