Tag Archives: Caribbean

In the Library: Last Dance in Havana by Eugene Robinson


In power for forty-four years and counting, Fidel Castro has done everything possible to define Cuba to the world and to itself — yet not even he has been able to control the thoughts and dreams of his people. Those thoughts and dreams are the basis for what may become a post-Castro Cuba. To more fully understand the future of America’s near neighbor, veteran reporter Eug…moreIn power for forty-four years and counting, Fidel Castro has done everything possible to define Cuba to the world and to itself — yet not even he has been able to control the thoughts and dreams of his people. Those thoughts and dreams are the basis for what may become a post-Castro Cuba. To more fully understand the future of America’s near neighbor, veteran reporter Eugene Robinson knew exactly where to look — or rather, to listen. In this provocative work, Robinson takes us on a sweaty, pulsating, and lyrical tour of a country on the verge of revolution, using its musicians as a window into its present and future.

Music is the mother’s milk of Cuban culture. Cubans express their fondest hopes, their frustrations, even their political dissent, through music. Most Americans think only of salsa and the “Buena Vista Social Club” when they think of the music of Cuba, yet those styles are but a piece of a broad musical spectrum. Just as the West learned more about China after the Cultural Revolution by watching “From Mao to Mozart,” so will readers discover the real Cuba — the living, breathing, dying, yet striving Cuba.

Cuban music is both wildly exuberant and achingly melancholy. A thick stew of African and European elements, it is astoundingly rich and influential to have come from such a tiny island. From rap stars who defy the government in their lyrics to violinists and pianists who attend the world’s last Soviet-style conservatory to international pop stars who could make millions abroad yet choose to stay and work for peanuts, Robinson introduces us to unforgettable characters who happily bring him into their homes and backstage discussions.

Despite Castro’s attemptsto shut down nightclubs, obstruct artists, and subsidize only what he wants, the musicians and dancers of Cuba cannot stop, much less behave. Cubans move through their complicated lives the way they move on the dance floor, dashing and darting and spinning on a dime, seducing joy and fulfillment and next week’s supply of food out of a broken system. Then at night they take to the real dance floors and invent fantastic new steps. “Last Dance in Havana” is heartwrenching, yet ultimately as joyous and hopeful as a rocking club late on a Saturday night.

 

WHITE ON WHITE CRIME IN WACO TEXAS MOTORCYCLE MASSACRE! (ARTICLE )


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BY : LEON KWASI KUNTUO-ASARE

In another tragic case of white on white violent crime, on sunday afternoon May 17, 2015 several white supremacist motorcycle gangs got into a shot out. There were at least five gang factions involved and 9 people were murdered while 18 were injured as a result of the guns, chains, clubs and knives used in the Waco, Texas motorcycle gang melee.
When police arrived they set up a command center to interview , arrest and process the biker thugs involved in the mini massacre. Fortunately for the murderous gang members, unlike the Baltimore and Ferguson protestors, who killed no one, the national guard was not called and Waco was not occupied like Iraq, even though there were over a 100 weapons recovered .

For additional information use the link:

http://www.cnn.com/2015/05/17/us/texas-shooting/

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FDR had something to say about voting


votingFranklin D. Roosevelt once said

“Nobody will ever deprive the American people of the right to vote except the American people themselves and the only way they could do this is by not voting.”

The Amistad Travels To Cuba As A Reminder Of Slavery


 

Post by Jerry Smith in National

a repost from 2010 – Black History Month

WASHINGTON – Days from now, a stately black schooner will sail through a narrow channel into Havana’s protected harbor, its two masts bearing the rarest of sights — the U.S. Stars and Stripes, with the Cuban flag fluttering nearby.

The ship is the Amistad, a U.S.-flagged vessel headed for largely forbidden Cuban waters as a symbol of both a dark 19th century past and modern public diplomacy.

The Amistad is the 10-year-old official tall ship of the state of Connecticut and a replica of the Cuban coastal trader that sailed from Havana in 1839 with a cargo of African captives, only to become an emblem of the abolitionist movement.

Its 10-day, two-city tour of Cuba provides a counterpoint to new and lingering tensions between Washington and Havana and stands out as a high-profile exception to the 47-year-old U.S. embargo of the Caribbean island.

For the Amistad, it also represents a final link as it retraces the old Atlantic slave trade triangle, making port calls that are not only reminders of the stain of slavery but also celebrations of the shared cultural legacies of an otherwise sorry past.

When it drops anchor in Havana’s harbor on March 25, the Amistad will not only observe its 10th anniversary, it will commemorate the day in 1807 when the British Parliament first outlawed the slave trade.

The powerful image of a vessel displaying home and host flags docking in Cuba is not lost on Gregory Belanger, the CEO and president of Amistad America Inc., the nonprofit organization that owns and operates the ship.

“We’re completely aware of all of the issues currently surrounding the U.S. and Cuba,” he said. “But we approach this from the point of view that we have this unique history that both societies are connected by. It gives us an opportunity to transcend contemporary issues.”

It’s not lost on Rep. William Delahunt, either. The Massachusetts Democrat has long worked to ease U.S.-Cuba relations and he reached out to the State Department to make officials aware of the Amistad’s proposal.

U.S.-flagged ships have docked in Havana before, but none as prominently as the Amistad. The Treasury’s Office of Foreign Assets Control has periodically approved Cuba stops for semester-at-sea educational programs for American students, and the Commerce Department has authorized U.S. shiploads of exports under agriculture and medical exemptions provided in the Trade Sanctions Reform Act of 2000.

“Obviously we have serious differences, disagreements,” Delahunt said. “But in this particular case the two governments, while not working together, clearly were aware of the profound significance of this particular commemoration.”

The original Amistad’s story, the subject of a 1997 Steven Spielberg movie, began after it set sail from Havana in 1839. Its African captives rebelled, taking over the ship and sending it on a zigzag course up the U.S. coast until it was finally seized off the coast of Long Island. The captured Africans became an international cause for abolitionists; their fate was finally decided in 1841 when John Quincy Adams argued their case before the Supreme Court, which granted them their freedom.

Miguel Barnet, a leading Cuban ethnographer and writer who has studied the African diaspora, said it is only appropriate that the new Amistad would call on the place of the original ship’s birth. Indeed, he said in an interview from Cuba on Wednesday, it is the horror of the slave trade that left behind a rich common bond — not just between the United States and Cuba, but with the rest of the Caribbean — that is rooted in Africa.

“That’s why this is an homage to these men and women who left something precious for our culture,” he said.

The new Amistad has crossed the Atlantic and wended its way through the Caribbean since 2007. It has worked with the United Nations and UNESCO’s Slave Route Project. Using high technology hidden in its wooden frame and rigging, the ship’s crew of sailors and students has simulcasted to schools and even to the U.N. General Assembly.

It will do so again — with Cuban students — from Havana.

Statewide ban on disposable plastic bags is signed into law by Brown ~ 2018 reminder