Category Archives: ~ Culture & History

Patricia Roberts Harris ~ In Memory


   
   
 
Thanks to some of our sharp-eyed readers, it has come to our attention that several lines had been dropped from our story on Patricia Roberts Harris.

As a result, the information regarding her appointment as Secretary of Health, Education, and Welfare and then Secretary of Health and Human Services was incomplete and, without the full wording, inaccurate.

Below, we present the story of Patricia Roberts Harris again, in its entirety.

Many readers also offered kind words for Our American Story, which marked its first anniversary in September. We launched this series to spur discussion and highlight important people and events in the African American story and the role they played in the larger American story. This series also provides a way for us to connect friends throughout the nation who are excited about the Smithsonian’s National Museum of African American History and Culture and are eager to get an advance look at some of the stories it will present. Thank you for your wonderful support.

Edison R. Wato, Jr.
Membership Program Manager

 
Lonnie Bunch, museum director, historian, lecturer, and author, is proud to present A Page From Our American Story, a regular on-line series for Museum supporters. It will showcase individuals and events in the African American experience, placing these stories in the context of a larger story — our American story.
A Page From Our American Story
A Higher Standard: Patricia Roberts Harris
Patricia Harris in her swearing in ceremony
to be the U.S. Ambassador to Luxembourg.
Provided by the U.S. State Department.

Dear Friends,

Black women have always served a critical role in the African American community, from the names we all know — Harriet Tubman, Sojourner Truth, and Rosa Parks — to today’s young mother fighting for educational opportunities for her children. Others have quietly broken barriers to open doors that were once closed to people of color.

Patricia Roberts Harris is one of those quiet warriors whose life stands as a testament to excellence, tenacity, and commitment to change.

She was born on May 31, 1924, the daughter of Hildren and Bert Roberts, in Mattoon, Illinois. A product of Illinois public schools, Harris attended Howard University in Washington, D.C., on scholarship and graduated summa cum laude in 1945. From early in her life as a brilliant scholar at Howard, she went on to become the first African American woman to serve as a United States ambassador and later the first African American woman to serve as a Cabinet Secretary. Harris was a powerful influence in American politics and a major figure during the Civil Rights Movement.

After graduating from Howard, she went back to the mid-west and began graduate work at the University of Chicago in 1946. But the opportunity to become actively involved in working for social justice drew her back to Washington, D.C. She continued her graduate work at American University, and, at the same time, served as assistant director for the American Council of Human Rights. She also served as the first national executive director of Delta Sigma Theta Sorority, Inc., of which she was a member.

At the encouragement of her husband, William Beasley Harris, a prominent attorney in the District, Harris enrolled in The George Washington University Law School, where she graduated in 1960, first in her class.

During this time, while still active in the fight for civil rights, Harris became increasingly involved in the Democratic Party. Her ability to organize and manage did not go unnoticed. In 1963, President John F. Kennedy selected Harris to co-chair the National Women’s Committee for Civil Rights, described as an “umbrella organization encompassing some 100 women’s groups throughout the nation.”

In October of 1965, President Lyndon Johnson appointed Harris ambassador to Luxembourg, making her the first African American woman to be chosen as a United States envoy. For Harris the historic moment was bittersweet, saying, “I feel deeply proud and grateful this President chose me to knock down this barrier, but also a little sad about being the ‘first Negro woman’ because it implies we were not considered before.”

With the change of administration in 1968, Harris’ diplomatic role ended. She returned to Washington, D.C., and became the first woman to serve as Dean of Howard University’s School of Law.

In the early 1970s, Harris’ involvement in the Democratic Party culminated in her being named chairman of the powerful credentials committee and an at-large-delegate to the Democratic National Convention.

The election of Jimmy Carter in 1976 thrust Harris into the spotlight, again for another “first.” Shortly after taking office in 1977, Carter selected Harris to become Secretary of Housing and Urban Development (HUD). Again Harris made history, this time by not only becoming the first African American woman to become a Cabinet Secretary, but also the first to be in the line of succession to the Presidency, at number 13.

During her confirmation hearing, Senator William Proxmire challenged her nomination and asked her if she felt capable of representing the interests of the poor and less fortunate in America. By this time in Harris’ life she had established herself as not only a recognized leader for civil rights, but also as a prominent corporate lawyer and businesswoman. Some, including a few black leaders, wondered if Harris had grown out of touch with the very people she was charged with serving.

Harris’ answer silenced her critics and perhaps best explains what motivated her throughout her life:

“Senator, I am one of them. You do not seem to understand who I am. I am a black woman, the daughter of a dining car waiter. …a black woman who could not buy a house eight years ago in parts of the District of Columbia. I didn’t start out as a member of a prestigious law firm, but as a woman who needed a scholarship to go to school. If you think I have forgotten that, you are wrong…if my life has any meaning at all, it is that those who start out as outcasts may end up being part of the system.”

US Postal Stamp of Patricia Roberts Harris

During her tenure as HUD Secretary, she helped reshape the focus of the department. A staunch supporter of housing rehabilitation, Harris funneled millions of dollars into upgrading deteriorating neighborhoods rather than wiping them out through slum clearance. She developed a Neighborhood Strategy Program that subsidized the renovation of apartments in deteriorated areas. In addition, she expanded the Urban Homesteading Plan and initiated Urban Development Action Grants to lure businesses into blighted areas. She poured millions of dollars into renovating deteriorating housing projects throughout the nation.

Harris was so effective at HUD that President Carter appointed her Secretary of Health, Education and Welfare (HEW) in 1979. When Congress created a separate Education Department in 1980, HEW was renamed Health and Human Services (HHS), and Carter moved quickly to name Harris its Secretary, a position she held for the remainder of his administration.

In 1982, following an unsuccessful bid to become mayor of Washington, D.C., Harris became a full-time professor at The George Washington University National Law Center. She passed away on March 23, 1985 at the age of 60.

In January, 2000, the U.S. Postal Service honored Ms. Harris with a commemorative postage stamp bearing her likeness. Dignitaries from around the nation attended the unveiling ceremony at Howard University, her alma mater, to pay tribute and recognize her contribution to the nation. In addition, Howard created the Harris Public Service Program in her honor to augment its course offerings in public policy and to encourage students to consider careers in public service.

Patricia Roberts Harris’ life is a powerful chapter in our American story. “I am one of them…,” she said at her 1977 hearing to become HUD Secretary. Those words underscored her commitment to social justice and her sense of responsibility to the African American community and to the nation. Those words serve as testament to her life and legacy: political pioneer, successful businesswoman, educator, and champion for civil and equal rights.

All the best,
Lonnie Bunch, Director

Lonnie Bunch
DirectorThe National Museum of African American History and Culture is the newest member of the Smithsonian Institution’s family of extraordinary museums.The Museum will be far more than a collection of objects.
The Museum will be a powerful, positive force in the national discussion about race and the important role African Americans have played in the American story — a museum that will make all Americans proud.

Selma ~ called Bloody Sunday :Black History ~ American History


First March from Selma

When You Pray, Move Your Feet.

— African Proverb.

Charles White(?), photographer, Selma, Alabama, March  1965.

photo courtesy of Representative John Lewis

John Lewis (on right in trench coat) and Hosea Williams (on the left) lead marchers across the Edmund Pettus Bridge.

On Sunday March 1965, about six hundred people began a fifty-four mile march from Selma, Alabama to the state capitol in Montgomery. They were demonstrating for African American voting rights and to commemorate the death of Jimmie Lee Jackson, shot three weeks earlier by an state trooper while trying to protect his mother at a civil rights demonstration. On the outskirts of Selma, after they crossed the Edmund Pettus Bridge, the marchers, in plain sight of photographers and journalists, were brutally assaulted by heavily armed state troopers and deputies.

One hundred years after the Civil War, in many parts of the nation, the 15th Amendment had been nullified by discriminatory laws, ordinances, intimidation, violence, and fear which kept a majority of African Americans from the polls. The situation was particularly egregious in the city of Selma, in Dallas County, Alabama, where African Americans made up more than half the population yet comprised only about 2 percent of the registered voters. As far back as 1896, when the U.S. House of Representatives adjudicated the contested results of a congressional election held in Dallas County, it was stated on the floor of Congress:

…I need only appeal to the memory of members who have served in this House for years and who have witnessed the contests that time and time again have come up from the black belt of Alabama—since 1880 there has not been an honest election in the county of Dallas…

Hon. W. H. Moody, of Massachusetts

Contested Election Case, Aldrich vs. Robbins, Fourth District, Alabama: Speeches of Hon. W.H. Moody, of Massachusetts [et al.] in the House of Representatives, 3 (2239),

March 12 and 13, 1896.

From Slavery to Freedom, 1824-1909

However, by March 1965, the Dallas County Voters League, the Southern Christian Leadership Council (SCLC), and the Student Nonviolent Coordinating Committee (SNCC) were all working for voting rights in Alabama. John Lewis headed SNCC’s voter registration effort and, in March , he and fellow activist Hosea Williams led the group of silent marchers from the Brown Chapel AME Church to the foot of the Pettus bridge and into the event soon known as “Bloody Sunday.”

Alabama Police Attack Selma-to-Montgomery Marchers,

Federal Bureau of Investigation photograph

Selma, Alabama, March 7, 1965. —  http://www.nps.gov/history/nr/travel/civilrights/al4.htm

We Shall Overcome”: Historic Places of the Civil Rights Movement   —  http://www.cr.nps.gov/nr/travel/civilrights/index.htm

When ABC television interrupted a Nazi war crimes documentary, Judgement in Nuremberg, to show footage of violence in Selma a powerful metaphor was presented to the nation. Within forty-eight hours, demonstrations in support of the marchers were held in eighty cities and thousands of religious and lay leaders, including Dr. Martin Luther King, flew to Selma. On March 9, Dr. King led a group again to the Pettus Bridge where they knelt, prayed, and, to the consternation of some, returned to Brown Chapel. That night a Northern minister, who was in Selma to march, was killed by white vigilantes.

Outraged citizens continued to inundate the White House and the Congress with letters and phone calls. On March 9, for example, Jackie Robinson, the baseball hero, sent a telegram to the President:

“IMPORTANT YOU TAKE IMMEDIATE ACTION IN ALABAMA ONE MORE DAY OF SAVAGE TREATMENT BY LEGALIZED HATCHET MEN COULD LEAD TO OPEN WARFARE BY AROUSED NEGROES AMERICA CANNOT AFFORD THIS IN 1965”

In Montgomery, Federal Judge Frank Johnson, Jr. temporarily restrained all parties in order to review the case. And, President Lyndon Johnson addressed the American people before a televised Joint Session of Congress, saying, “There is no issue of States rights or national rights. There is only the struggle for human rights…We have already waited a hundred years and more, and the time for waiting is gone…”

Rev. Ralph Abernathy walking with Dr. Martin Luther King, Jr., as They Lead Civil Rights Marchers out of Camp to Resume Their March

United Press International   — http://www.loc.gov/pictures/item/94505571/

Selma to Montgomery, Alabama, March 21-25, 1965.

New York World-Telegram & Sun Collection,

Prints & Photographs Division  —  http://www.loc.gov/rr/print/

Allowing CBS footage of “Bloody Sunday” as evidence in court, Judge Johnson ruled on March 17, that the demonstrators be permitted to march. Under protection of a federalized National Guard, voting rights advocates left Selma on March 21 and stood 25,000 strong on March 25 before the state capitol in Montgomery. As a direct consequence of these events, the U.S. Congress passed the Voting Rights Act of 1965, guaranteeing every American twenty-one and over the right to register to vote. During the next four years the number of U.S. blacks eligible to vote rose from 23 to 61 percent.

John Lewis went on to serve as Director of the Voter Education Project, a program that eventually added nearly four million minorities to the voter rolls. To mark the thirty-fifth anniversary of “Bloody Sunday,” on March 7, 2000, Lewis, a U.S. Congressman from Atlanta’s 5th District, and Hosea Williams crossed the Pettus Bridge accompanied by President William Clinton, Coretta Scott King, and others. Asked to contrast this experience with that of 1965 the Congressman responded, “This time when I looked there were women’s faces and there were black faces among the troopers. And this time when we faced them, they saluted.”

•American Treasures is an exhibition of special items in the Library of Congress collections. The exhibition is divided into four sections: Top Treasures, Memory, Imagination, and Reason. The latter includes images taken about 1963 by Danny Lyon, staff photographer for SNCC, a key organizing body during the Civil Rights Movement.

•Search on the term Selma, Alabama in the black and white photos of the Farm Services Administration collection, FSA/OWI Photographs, 1935-1945 to see images of the city taken during the 1930s by the photographer Walker Evans. Search on Alabama to see images taken by the FSA photographers Dorothea Lange, Arthur Rothstein, Marion Post Wolcott, and Carl Mydans.

•The Great Migration made northerners more aware of disenfranchisement in the Deep South and newspapers like The Gazette and The Advocate fostered awareness within the black community. Search on the term vote in African-American Experience in Ohio, 1850-1920 to view about 100 items that address the issue. See, for example, the 1887 article “Negro Voting Power” and the 1888 article “First Colored Voter.” The poet Paul Lawrence Dunbar mentions Alabama disenfranchisement in his article “Paul Dunbar’s Protest.”

•Music drawn from a tradition of Southern spirituals helped sustain the Civil Rights Movement. Search on the term spiritual in the John Lomax and Ruby Terrel Lomax collection Southern Mosaic to hear some of the tunes which comprise that tradition. Listen, for example, to versions of “This Little Light of Mine,” “Long Way to Travel,” and “Great Day” as they were rendered in the South back in 1939.

•Images of 20th Century African American Activists: A Select List presents frequently requested images from the Prints & Photographs Division of the Library. Except where otherwise noted in the “Reproduction Number” line, images are considered to be in the public domain. The selection includes images of Martin Luther King, John Lewis, and Ralph Abernathy.

•Search the Today in History Archive on the term states rights to learn more about an issue which lay at the heart of the American system. Ironically, on March 7, 1850, (exactly 115 years before “Bloody Sunday”) Daniel Webster gave his famous “Seventh of March speech” in favor of the Compromise of 1850, which, while it postponed the Civil War, strengthened states’ rights at the cost of African-American freedom. Search on the term Alabama to learn more about events in the state, such as the arrest of Rosa Parks.

•With the exception of Concord Bridge, where the American Revolution began, no bridge in America marks an event as historically momentous as that marked by the Edmund Pettus Bridge. Nevertheless, search across the Photos and Prints section of American Memory on the term bridge to see a wide array of other bridges. See, for example, Burnside’s Bridge (fought over during the Battle of Antietam), a Covered Bridge in Vermont, and the Locust St. Bridge in Des Moines, Iowa. Also search the Today in History Archive on the term bridge to read features on the Brooklyn Bridge, Williamsburg Bridge, and Golden Gate Bridge.

Daniel Webster

I wish to speak today; not as a Mass[achusetts] man – nor a Northern man – but as an American, & a member of the Senate of the U[nited] S[tate]s.

Daniel Webster’s notes for his speech to the United States Senate favoring the Compromise of 1850, March 7, 1850.

Words and Deeds in American History: Selected Documents Celebrating the Manuscript Division’s First 100 Years

Daniel Webster

produced by Mathew Brady’s studio, circa 1851-1860.

America’s First Look into the Camera: Daguerrotype Portraits and Views, 1839-1864

The acquisition of territory following the U.S. victory in the Mexican War revived concerns about the balance of free and slave states in the Union. On March 7, 1850, Senator Daniel Webster delivered his famous “Seventh of March” speech urging sectional compromise on the issue of slavery. Advising abolition-minded Northerners to forgo antislavery measures, he simultaneously cautioned Southerners that disunion inevitably would lead to war.

Following the lead of senators Henry Clay and Stephen Douglas, Webster endorsed Clay’s plan to assure sectional equilibrium in Congress. Passed after eight months of congressional wrangling, the legislation admitted California to the Union as a free state, permitted the question of slavery in Utah and New Mexico territories to be decided by popular sovereignty, settled Texas border disputes, and abolished slave trading in the District of Columbia while strengthening the Fugitive Slave Act.

The legislative package known as the Compromise of 1850 postponed the Civil War by a decade. However, like the 1820 Missouri Compromise, the Compromise of 1850 failed to resolve the question of slavery in a meaningful way. Over the course of the 1850s, the inadequacies of both measures were made painfully clear. “Popular sovereignty” undermined the Missouri compromise by suggesting the earlier division of the country along the thirty-sixth parallel into free states and slave states no longer applied. Indeed, the Kansas-Nebraska Act of 1854 permitted slavery. The resulting bloodshed in Kansas, like later incidents at Harper’s Ferry, presaged the violent conflict of the Civil War.

Henry Clay

produced by Mathew Brady’s studio, circa 1850-1852.

America’s First Look into the Camera: Daguerrotype Portraits and Views, 1839-1864

Incidents of the War. A Harvest of Death, Gettysburg, July 1863.

Timothy H. O’Sullivan, photographer.

Selected Civil War Photographs

•Words and Deeds in American History: Selected Documents Celebrating the Manuscript Division’s First 100 Years , an online display of approximately ninety representative documents preserved by the Manuscripts Division, Library of Congress, includes features on John C. Calhoun’s speech to the United States Senate against the Compromise of 1850 and Henry Clay’s appointment as secretary of state on March 7, 1825.

•Read the Documentary History of Slavery in the United States by John Larkin Dorsey. A contemporary of Webster and Clay, Dorsey reviews slavery in the U.S. from 1774 and the Continental Congress to 1850 with special attention to the Fugitive Slave Law of 1850 and the probable dissolution of the Union. Search African American Perspectives: Pamphlets from the Daniel A. P. Murray Collection, 1818-1907 on slavery to access this document and many more.

•For more information about the movement to abolish slavery, visit the Abolition section of African American Odyssey, and the Abolition section of The African-American Mosaic as well. Also, read the Today in History features on Abolition in the District of Columbia , and on the abolitionists Lucretia Coffin Mott, and Elijah Parish Lovejoy.

•Browse The Frederick Douglass Papers. Many remarkable items are included in the papers of this nineteenth-century African-American abolitionist who escaped from slavery and then risked his own freedom by becoming an outspoken antislavery lecturer, writer, and publisher. The papers are divided into a series of nine sets. Set nine, for example, contains a booklet entitled Two Speeches by Frederick Douglass (on West Indian Emancipation and the Dred Scott Decision).

•A search on Daniel Webster in American Memory collections yields more than 2,000 items—including correspondence, speeches, images of statues, and even sheet music.

* Developed by the U.S. Department of Interior, National Park Service, U.S. Department of Transportation, The Federal Highway Administration, and the National Conference of State Historic Preservation Officers.

Black History Month

1807 – Congress abolishes the African slave trade


The U.S. Congress passes an act to “prohibit the importation of slaves into any port or place within the jurisdiction of the United States…from any foreign kingdom, place, or country.”

The first shipload of African captives to the British colonies in North America arrived at JamestownVirginia, in August 1619, but for most of the 17th century, European indentured servants were far more numerous in the North American British colonies than were enslaved Africans. However, after 1680, the flow of indentured servants sharply declined, leading to an explosion in the African slave trade. By the middle of the 18th century, slavery could be found in all 13 colonies and was at the core of the Southern colonies’ agricultural economy. By the time of the American Revolution, the English importers alone had brought some three million captive Africans to the Americas.

WATCH: The Middle Passage on HISTORY Vault

Red Tails …. The story of the Tuskegee Airmen – HD Movie Trailer – Lucas film Official Trailer


by on Jul 29, 2011

First Public Promotional Trailer for the feature film RED TAILS.

1944. World War II rages and the fate of the free world hangs in the balance. Meanwhile the black pilots of the experimental Tuskegee training program are courageously waging two wars at once — one against enemies overseas, and the other against discrimination within the military and back home. Racial prejudices have long held ace airman Martin “Easy” Julian (Nate Parker) and his black pilots back at base — leaving them with little to do but further hone their flying skills — while their white counterparts are shipped out to combat after a mere three months of training. Mistakenly deemed inferior and assigned only second-rate planes and missions, the pilots of Tuskegee have mastered the skies with ease but have not been granted the opportunity to truly spread their wings. Until now.
As the war in Europe continues to take its dire toll on Allied forces, Pentagon brass has no recourse but to reconsider these under-utilized pilots for combat duty. Just as the young Tuskegee men are on the brink of being shut down and shipped back home, Col. A.J. Bullard (Terrence Howard) awards them the ultimate chance to prove their mettle high above. Undaunted by the prospect of providing safe escort to bombers in broad daylight — a mission so dangerous that the RAF has refused it and the white fighter groups have sustained substantial losses — Easy’s pilots at last join the fiery aerial fray. Against all the odds, with something to prove and everything to lose, these intrepid young airmen take to the skies in a heroic endeavor to combat the enemy — and the discrimination that has kept them down for so long.

Directed by: Anthony Hemingway.

Starring: Cuba Gooding, Jr., Terrence Howard, Bryan Cranston, Brandon T. Jackson and Nate Parker.

Red Tails is an upcoming film directed by Anthony Hemingway, from a script by John Ridley and story by executive producer George Lucas. It is based on the Tuskegee Airmen, a group of African American combat pilots during World War II, and is the first Lucasfilm Ltd. production since Radioland Murders (1994) not to be associated with the Indiana Jones or Star Wars franchises.

George Lucas began developing Red Tails around 1988. He compared it to Tucker: The Man and His Dream as “a story too good to be true”. Thomas Carter was his original choice to direct. A number of writers worked on the project until John Ridley was hired in 2007 to write the final screenplay. Lucas held discussions with Samuel L. Jackson regarding Jackson possibly directing and acting in the film. Although Jackson praised the script, he did not commit to either role. Anthony Hemingway was finally chosen to direct in 2008. In researching the film, Lucasfilm invited some of the surviving Tuskegee Airmen to Skywalker Ranch, where they were interviewed about their experiences during World War II. Lucasfilm was also given access to the original mission logbooks used by some of the pilots.
Production began in March 2009. High-definition Sony F35 cameras were used for principal photography, which took place in the Czech Republic, Italy, Croatia and England. While shooting in the Czech Republic, the actors underwent a “boot camp” program, during which they lived in similar conditions as the actual Tuskegee Airmen. Editing began while the production was in Prague. Avid editing systems were used simultaneously in a Prague studio and at Lucasfilm. A vehicle was fitted with a “technical center” so that the production could quickly move between locations. In March 2010, Lucas took over direction of reshoots, as Hemingway was busy working on episodes of the HBO series Treme. Hemingway will have final approval over the footage.