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A group documenting lynchings is trying to erect markers at the sites, but expects local opposition.

By Cliff Weathers / AlterNet

Nearly 4,000 African Americans were victims of “racial terror lynchings” in the South between 1877 and 1950, according to a new report by the Equal Justice Initiative.

The report, released today, is the result of some five years of research by the organization. It has found that racial terror lynching was much more prevalent than previously reported. The researchers documented several hundred more lynchings than had been identified in the past. They did so by reviewing local newspapers, historical archives and court records. They also conducted interviews with local historians, and the families and descendants of the victims.

In all, EJI documented 3,959 lynchings of black people in twelve Southern states, which is at least 700 more lynchings in these states than previously reported. More than half of the lynching victims were killed under accusation of committing murder or rape against white victims. The EJI says that racial hostility fed suspicion that the perpetrators of the crimes were black and the accusations were seldom scrutinized. “Of the hundreds of black people lynched under accusation of rape and murder, nearly all were killed without being legally convicted,” says the report.

Some states and regions were particularly terrifying for African Americans, with dramatically higher rates of lynchings compared to the rest of the South. These areas included Florida, Mississippi, Arkansas and Louisiana. Counties that were particularly terrifying were Hernando, Taylor, Lafayette, and Citrus counties in Florida; Early and Oconee counties in Georgia; Fulton County, Kentucky; and Moore County, Tennessee, which had the highest rates of lynchings. Phillips County, Arkansas, and Lafourche and Tensas parishes in Louisiana were regions of mass killings of African Americans that make them historically notorious. Georgia and Mississippi had the highest number of lynchings of all the Southern states.

In conversations with survivors of those that had been lynched, EJI found that lynching played an integral role in the migration of millions of African Americans away from Southern states.

EJI also found that there was an astonishing lack of effort to acknowledge, discuss or address lynching in Southern states and communities. According to the report, many of these communities tried to veil this violent past by erecting monuments memorializing the Confederacy and the Civil War instead, while hiding the violence and terror used against African Americans.

The report says that there are currently few memorials that address the legacy of lynching, and that most communities do not actively recognize how their race relations were shaped by terror lynching.

Bryan Stevenson of EJI told the New York Times that his group wants to force people to reckon with the country’s violent and racist past by erecting the memorials. He said the EJI hopes to select some of the lynching sites and erect markers there. This will involve a significant amount of fundraising by the non-profit group. EJI is also bracing for controversies and objections as it tries to erect these markers.

“Lynching and the terror era shaped the geography, politics, economics and social characteristics of being black in America during the 20th century,” said Stevenson.

The report by EJI is part of a larger project that also involves the recognition of slave markets in the South and the erection of markers on those sites, particularly in Montgomery, AL. Stevenson said that regional and state governments have not been receptive to such markers although there are plenty of Civil War memorials in Montgomery, as well as some Civil Rights movement markers.

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Mariah Carey – All I Want For Christmas Is You

12/25/2025 Nativegrl77

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a sport not many focus on … Golf & Women of Colour – reminder – Black History

02/17/2025 Nativegrl77

So, I’m flipping through my newest 2015 Essence from back to front because of the horoscope section and as I’m looking I see a section called “trending topics” reporting that the USTA just appointed former tennis player Katrina Adams, President, CEO and chairman of the board and the first African American to fill the role. So, more things have changed in the World of Sports in which women of colour historically have not dominated. While flipping through my 2014 issue of Essence with various fashions it was became obvious that this is not just about fashion, though the title gave me that impression and had to share given the history. In fact, it is about a Woman named Renee Powell and some young Women who were introduced to her and who have chosen her as their mentor. Now, the surprise to most would be that these brightly fashionable women are people of colour and that the article is about golf or as they say, “One of America’s favourite pastimes.” In fact my family lived just a few blocks away from a golf course and while golf wasn’t my choice the history of golf was well known in our house, including a couple of good along with the bad and the really ugly stories of racism. It is a sad day to know that the practice is still alive and well, though tiger woods did shatter the glass ceiling some. The art of discrimination is subtle these days, while the stories of’ the good ‘olé boys club were worse, golf is a work in progress. The article tells us about the ups and downs of Powell’s life and daily experiences as a young girl to becoming one of four African-American women qualifying for golf’s top pro-circuit … The LPGA Tour that included Althea Gibson, LaRee Pearl Sugg, Shasta Avery Hardt and Renee Powell. Their legacy on the links is gone into in depth. They list the youngest pro at 17, four others including the niece of tiger woods who also has a great story, but what is even more exciting is that after Powell retired she now owns her own golf club, is the golf pro. She also teaches and mentors a new generation of girls/women of colour who love the game and are willing to take it as far as they can. Golfing is not cheap, so, if you have an opportunity to donate to your area’s youth sports club or make time to teach train and expose kids of colour to golf … do it!

Oh and the article on Golf is in Essence and was written by Connie Aitcheson

and … it’s in “Trending Topics” the February issue of Essence

Black History, ~ Culture & History

Carter Woodson ~ American historian

02/12/2025 Nativegrl77 1 Comment

Carter G. Woodson

To commemorate and celebrate the contributions to our nation made by people of African descent, American historian Carter G. Woodson established Black History Week. The first celebration occurred on Feb. 12, 1926. For many years, the second week of February was set aside for this celebration to coincide with the birthdays of abolitionist/editor Frederick Douglass and Abraham Lincoln. In 1976, as part of the nation’s bicentennial, the week was expanded to a month. Since then, U.S. presidents have proclaimed February as National African-American History Month.

In the fall of 1870, a handful of students made their way through the northwest quadrant of the nation’s capital, and through the doors of D.C.’s “Preparatory High School for Colored Youth,” the country’s first public high school for African American children. The students and teachers who graced its hallways would be heard through the years in the halls of Congress, in the highest ranks of the United States military, at the heart of our civil rights movement, and in the upper echelons of medical and scientific study.

One such voice was that of Carter G. Woodson; a journalist, author, historian, and co-founder of the Association for the Study of Negro Life and History (ASNLH). It was through his work with the ASNLH that Woodson spearheaded the celebration of “Negro History Week” in America, which served as the precursor to Black History Month, which was officially recognized by President Gerald Ford in 1976. Woodson taught us that, “those who have no record of what their forebears have accomplished lose the inspiration which comes from the teaching of biography and history.”

Find out more about Carter G. Woodson.

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Slavery, Hollywood, and Public Discourse – Black History

02/06/2025 Nativegrl77

NMAAHC -- National Museum of African American History and Culture

Lonnie Bunch, museum director, historian, lecturer, and author, is proud to present A Page from Our American Story, a regular on-line series for Museum supporters. It will showcase individuals and events in the African American experience, placing these stories in the context of a larger story — our American story.

A Page From Our American Story

Civil War era Photo of slaves on plantation

Family on Smith’s Plantation, Beaufort, South Carolina, circa 1862. Image courtesy of the Library of Congress.

Slavery: perhaps the last, great unmentionable in public discourse. It is certainly a topic that even today makes people very uncomfortable, regardless of their race.

American society has often expressed its internal problems through its art. Perhaps the most powerful medium for important discussions since the turn of the last century has been the motion picture.

For decades Hollywood has attempted to address the issue of slavery. For the most part, films have represented the period of enslavement in a manner that reflected society’s comfort level with the issue at the time. Director D. W. Griffith’s 1915 silent drama, Birth of a Nation, for instance, depicted African Americans (white actors in black face) better off as slaves. Griffith’s movie showed the institution of slavery “civilizing” blacks. Birth even made it seem like slaves enjoyed their lives and were happy in servitude.

That wasn’t the case, of course, but it was what white society wanted to believe at the time.

More than two decades after Birth of a Nation, the portrayal of African Americans in films had changed only a little. 1939 saw the release of one of Hollywood’s most acclaimed movies, Gone with the Wind. Producer David O. Selznick believed he was serving the black community with respect — he made sure the novel’s positive portrayal of the Ku Klux Klan was eliminated from the film, for example. But Gone with the Wind nevertheless treated the enslaved as relatively happy, loyal servants, a depiction that continued to reflect America’s segregated society. History was made, however, when Hattie McDaniel became the first African American to win an Academy Award for her role as “Mammy.” Still, her part, and the parts of the other black actors drew harsh criticism from major African American newspapers and civil rights groups.

Nearly forty years later, one of Hollywood’s most meaningful attempts to portray the period of enslavement came in 1977 with the television blockbuster mini-series, Roots. Based on Alex Haley’s 1976 best-selling book, Roots: The Saga of an American Family, the mini-series was groundbreaking on many levels. It was a dramatic series with a predominantly African American ensemble that captured a record 37 Emmy nominations — television’s highest artistic award.

Promotional photograph of actor Hattie McDaniel (1939).

And Roots marked the first time America witnessed slavery portrayed in detail. Along with the scenes of transporting, selling, and trading men and women, were scenes showing the brutality African Americans often suffered at the hands of slave owners. The depictions of abuse and cruelty were limited, of course, by the medium and by what American society would accept at the time. In keeping with the series’ marketing campaign, the show focused heavily on the family’s ultimate triumphs. For all of Roots’ firsts, and there were many, it was ultimately a story of resiliency.

Fast forward three-plus decades — American society is undeniably changed. African Americans are regularly featured in movies and television shows. The nation elected, then re-elected, an African American president, Barack Obama.

Drawing critical acclaim today is the movie 12 Years a Slave. 12 Years is a watershed moment in filmmaking. Not only does it feature remarkable performances, excellent cinematography, and powerful direction; it also offers the first realistic depiction of enslavement.

Unlike prior motion pictures and television shows, 12 Years does not retreat from the brutality many blacks endured. The movie is not for the faint hearted, as the violence and cruelty it portrays is not the highly stylized violence found in films like Django Unchained. 12 Years is true to the reality that for years many Americans treated fellow human beings with ruthless brutality — and that reality is harder to face.

The film, however, is not only drawing praise from critics — it recently received nine Oscar nominations, including Best Picture — but enjoying audience appreciation, as well. With that appreciation comes an opportunity to bring the discussion of slavery to the mainstream.

This, then, is an exciting time for the Smithsonian’s National Museum of African American History and Culture. Among its many virtues, the Smithsonian is a great legitimizer with a long tradition of providing venues for Americans to examine their shared history. One of the over-arching goals of the National Museum of African American History and Culture is to create a place where issues like enslavement can be viewed through an unvarnished lens.

America today needs this discussion and I believe it is ready for it, a sentiment undergirded by a belief in the public’s ability to deal with and care about the issue. The great strength of history, and African American history, is its ability to draw inspiration from even the worst of times. No doubt people throughout the nation and around the world will find that inspiration when they visit the Museum and view our major exhibition on “Slavery and Freedom” when our doors open in late 2015.

Before I close, I want to recommend four insightful narratives written by African Americans during this period of American history. The first is Solomon Northup’s book, 12 Years a Slave. Next is Incidents in the Life of a Slave Girl, by Harriet Jacobs. One of the first books to describe the sexual abuse and torment that female slaves endured, Incidents became one of the most influential works of its time. Our Nig: Sketches from the Life of a Free Black, by Harriet Wilson, is believed to be the first novel published by an African American in North America. Though fictionalized, Wilson’s book is based on her life growing up in indentured servitude in New Hampshire. Finally, Narrative of the Life of Frederick Douglass, An American Slave, remains today one of the most important autobiographical works ever written by an American.