Category Archives: ~ In the Library

“A room without a book is like a body without a soul.”
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~ In the Library

In the Library: Last Dance in Havana by Eugene Robinson


In power for forty-four years and counting, Fidel Castro has done everything possible to define Cuba to the world and to itself — yet not even he has been able to control the thoughts and dreams of his people. Those thoughts and dreams are the basis for what may become a post-Castro Cuba. To more fully understand the future of America’s near neighbor, veteran reporter Eug…moreIn power for forty-four years and counting, Fidel Castro has done everything possible to define Cuba to the world and to itself — yet not even he has been able to control the thoughts and dreams of his people. Those thoughts and dreams are the basis for what may become a post-Castro Cuba. To more fully understand the future of America’s near neighbor, veteran reporter Eugene Robinson knew exactly where to look — or rather, to listen. In this provocative work, Robinson takes us on a sweaty, pulsating, and lyrical tour of a country on the verge of revolution, using its musicians as a window into its present and future.

Music is the mother’s milk of Cuban culture. Cubans express their fondest hopes, their frustrations, even their political dissent, through music. Most Americans think only of salsa and the “Buena Vista Social Club” when they think of the music of Cuba, yet those styles are but a piece of a broad musical spectrum. Just as the West learned more about China after the Cultural Revolution by watching “From Mao to Mozart,” so will readers discover the real Cuba — the living, breathing, dying, yet striving Cuba.

Cuban music is both wildly exuberant and achingly melancholy. A thick stew of African and European elements, it is astoundingly rich and influential to have come from such a tiny island. From rap stars who defy the government in their lyrics to violinists and pianists who attend the world’s last Soviet-style conservatory to international pop stars who could make millions abroad yet choose to stay and work for peanuts, Robinson introduces us to unforgettable characters who happily bring him into their homes and backstage discussions.

Despite Castro’s attemptsto shut down nightclubs, obstruct artists, and subsidize only what he wants, the musicians and dancers of Cuba cannot stop, much less behave. Cubans move through their complicated lives the way they move on the dance floor, dashing and darting and spinning on a dime, seducing joy and fulfillment and next week’s supply of food out of a broken system. Then at night they take to the real dance floors and invent fantastic new steps. “Last Dance in Havana” is heartwrenching, yet ultimately as joyous and hopeful as a rocking club late on a Saturday night.

 

~ Culture & History, ~ In the Library

FREEDOM RIDERS : A Stanley Nelson Film : American Experience – In memory


  Get Inspired

 The World Premiere: In 2010 at Sundance Film Festival, US

 A Documentary Competition

Award-winning filmmaker Stanley Nelson (Wounded Knee, Jonestown: The Life and Death of Peoples Temple, The Murder of Emmett Till) returns to the Sundance Film Festival with his latest documentary FREEDOM RIDERS, the powerful, harrowing and ultimately inspirational story of six months in 1961 that changed America forever. From May until November 1961, more than 400 black and white Americans risked their lives—and many endured savage beatings and imprisonment—for simply traveling together on buses and trains as they journeyed through the Deep South. Deliberately violating Jim Crow laws, the Freedom Riders’ belief in non-violent activism was sorely tested as mob violence and bitter racism greeted them along the way.

FREEDOM RIDERS features testimony from a fascinating cast of central characters: the Riders themselves, state and federal government officials, and journalists who witnessed the rides firsthand.

“I got up one morning in May and I said to my folks at home, I won’t be back today because I’m a Freedom Rider. It was like a wave or a wind that you didn’t know where it was coming from or where it was going, but you knew you were supposed to be there.” — Pauline Knight-Ofuso, Freedom Rider

Despite two earlier Supreme Court decisions that mandated the desegregation of interstate travel facilities, black Americans in 1961 continued to endure hostility and racism while traveling through the South. The newly inaugurated Kennedy administration, embroiled in the Cold War and worried about the nuclear threat, did little to address domestic Civil Rights.See the source image

“It became clear that the Civil Rights leaders had to do something desperate, something dramatic to get Kennedy’s attention. That was the idea behind the Freedom Rides—to dare the federal government to do what it was supposed to do, and see if their constitutional rights would be protected by the Kennedy administration,” explains Raymond Arsenault, author of Freedom Riders: 1961 and the Struggle for Racial Justice, on which the film is partially based.

Organized by the Congress of Racial Equality (CORE), the self-proclaimed “Freedom Riders” came from all strata of American society—black and white, young and old, male and female, Northern and Southern. They embarked on the Rides knowing the danger but firmly committed to the ideals of non-violent protest, aware that their actions could provoke a savage response but willing to put their lives on the line for the cause of justice.

Each time the Freedom Rides met violence and the campaign seemed doomed, new ways were found to sustain and even expand the movement. After Klansmen in Alabama set fire to the original Freedom Ride bus, student activists from Nashville organized a ride of their own. “We were past fear. If we were going to die, we were gonna die, but we can’t stop,” recalls Rider Joan Trumpauer-Mulholland. “If one person falls, others take their place.”

Later, Mississippi officials locked up more than 300 Riders in the notorious Parchman State Penitentiary. Rather than weaken the Riders’ resolve, the move only strengthened their determination. None of the obstacles placed in their path would weaken their commitment.

The Riders’ journey was front-page news and the world was watching. After nearly five months of fighting, the federal government capitulated. On September 22, the Interstate Commerce Commission issued its order to end the segregation in bus and rail stations that had been in place for generations. “This was the first unambiguous victory in the long history of the Civil Rights Movement. It finally said, ‘We can do this.’ And it raised expectations across the board for greater victories in the future,” says Arsenault.

“The people that took a seat on these buses, that went to jail in Jackson, that went to Parchman, they were never the same. We had moments there to learn, to teach each other the way of nonviolence, the way of love, the way of peace. The Freedom Ride created an unbelievable sense: Yes, we will make it. Yes, we will survive. And that nothing, but nothing, was going to stop this movement,” recalls Congressman John Lewis, one of the original Riders.

Says Stanley Nelson, “The lesson of the Freedom Rides is that great change can come from a few small steps taken by courageous people. And that sometimes to do any great thing, it’s important that we step out alone.”

CREDITS
A Stanley Nelson Film
A Firelight Media Production for AMERICAN EXPERIENCE

Produced, Written and Directed by
Stanley Nelson

Produced by
Laurens Grant

Edited by
Lewis Erskine, Aljernon Tunsil

Archival Producer
Lewanne Jones

Associate Producer
Stacey HolmanDirector of Photography
Robert Shepard

Composer
Tom Phillips

Music Supervisor
Rena Kosersky

Based in part on the book Freedom Riders by
Raymond Arsenault

AMERICAN EXPERIENCE is a production of WGBH Boston.
Senior producer
Sharon Grimberg

Executive producer
Mark Samels

~ In the Library

1937 – Margaret Mitchell won a Pulitzer Prize for “Gone With The Wind.” ~ In the Library “Gone with the Wind”


Margaret Mitchell’s Gone with the Wind, one of the best-selling novels of all time and the basis for a blockbuster 1939 movie, is published on this day in 1936.In 1926, Mitchell was forced to quit her job as a reporter at the Atlanta Journal to recover from a series of physical injuries. With too much time on her hands, Mitchell soon grew restless. Working on a Remington typewriter, a gift from her second husband, John R. Marsh, in their cramped one-bedroom apartment, Mitchell began telling the story of an Atlanta belle named Pansy O’Hara.In tracing Pansy’s tumultuous life from the antebellum South through the Civil War and into the Reconstruction era, Mitchell drew on the tales she had heard from her parents and other relatives, as well as from Confederate war veterans she had met as a young girl. While she was extremely secretive about her work, Mitchell eventually gave the manuscript to Harold Latham, an editor from New York’s MacMillan Publishing. Latham encouraged Mitchell to complete the novel, with one important change: the heroine’s name. Mitchell agreed to change it to Scarlett, now one of the most memorable names in the history of literature.

Published in 1936, Gone with the Wind caused a sensation in Atlanta and went on to sell millions of copies in the United States and throughout the world. While the book drew some criticism for its romanticized view of the Old South and its slaveholding elite, its epic tale of war, passion and loss captivated readers far and wide. By the time Mitchell won the Pulitzer Prize for Fiction in 1937, a movie project was already in the works. The film was produced by Hollywood giant David O. Selznick, who paid Mitchell a record-high $50,000 for the film rights to her book.

After testing hundreds of unknowns and big-name stars to play Scarlett, Selznick hired British actress Vivien Leigh days after filming began. Clark Gable was also on board as Rhett Butler, Scarlett’s dashing love interest. Plagued with problems on set, Gone with the Wind nonetheless became one of the highest-grossing and most acclaimed movies of all time, breaking box office records and winning nine Academy Awards out of 13 nominations.

Though she didn’t take part in the film adaptation of her book, Mitchell did attend its star-studded premiere in December 1939 in Atlanta. Tragically, she died just 10 years later, after she was struck by a speeding car while crossing Atlanta’s Peachtree Street. Scarlett, a relatively unmemorable sequel to Gone with the Wind written by Alexandra Ripley, was published in 1992.

history.com

~ In the Library

In the Library … “Injustices” by Ian Millhiser


ThinkProgress
Injustices: The Supreme Court’s History of Comforting The Comfortable And Afflicting The Afflicted

InjusticesThey won’t be selling Injustices at the Supreme Court gift shop. Ian Millhiser’s scathing, exuberant indictment of the many misdeeds of the nation’s highest court is a necessary, and highly entertaining, corrective to the mythology that has always surrounded the work of the Justices.”

~Jeffrey Toobin,
Author of The Oath and The Nine

by: ThinkProgress Justice Editor, Ian MillhiserOrder now: Amazon, Barnes and Noble, Indie Bound

Dear ThinkProgress Reader:

For the last five years, I’ve covered the Supreme Court for ThinkProgress. I’ve chronicled the justices’ decision to open the floodgates to corporate election spending, and I’ve reported on the rash of voter suppression laws that followed after the Court gutted the Voting Rights Act. I’ve shared your bewilderment when the Court held that a woman’s choice whether to use birth control could be given to her boss, and I’ve shared your terror at the prospect that the justices could rip health care away from millions of Americans.

Yet, as I explain in Injustices: The Supreme Court’s History of Comforting the Comfortable and Afflicting the Afflicted, these cases are hardly anomalies in the Supreme Court’s history. To the contrary, the justices of the Supreme Court shaped a nation where children toiled in coal mines, where Americans could be forced into camps because of their race, and where a woman could be sterilized against her will by state officials. The Court was the midwife of Jim Crow, the right hand of union busters, and the dead hand of the Confederacy.

Injustices tells the history of the Supreme Court through the eyes of the people that it has hurt the most — the young people stripped of their childhoods, the freedmen forced into peonage, the men and women who will die needlessly if the Supreme Court guts Obamacare. In my coverage of the Court over at ThinkProgress, I’ve strived to provide clarity on what the law provides and how the justices should decide their cases in accordance with that law, but I’ve also strived to reach beyond arcane legal arguments to show how the Court’s decisions shape the lives of millions of Americans. I bring that same ethic to over 150 years of Supreme Court history in Injustices. I urge you to check it out.

Sincerely,
Ian Millhiser
Get It Here:
Amazon BarnesNoble IndieBound

* * *

“More than just an indictment of the Supreme Court, Injustices offers a stirring defense of the role government plays in bettering people’s lives-and a heartbreaking window into the lives that are ruined when the justices place their own agenda above the law.”

~Ted Strickland,
Former Ohio Governor and US Representative
Former President, Center for American Progress Action Fund

“A powerful critique of the Supreme Court, which shows that it has largely failed through American history to enforce the Constitution and to protect our rights. With great clarity and poignant human stories throughout, Ian Millhiser has written a book that all who are interested in American government and our legal system – which should be all of us – must read.”

~Erwin Chemerinsky,
Founding Dean & Distinguished Professor, UC Irving Law School

“Ian Millhiser’s Injustices is a powerful reminder that for most of its history, the Supreme Court has erred on the side of protecting the privilege and powers of America’s elites-and that it has so often done so by reading the Constitution upside-down. Millhiser has crafted an indictment of the Court’s treatment of workers, minorities, women, voters, and powerless groups, with a deeply researched grounding in history and the law. His dispiriting conclusion is a powerful reminder of how much the Court matters, and how much more it could be.”

~Dahlia Lithwick,
Senior Editor, Slate
~ Culture & History, ~ In the Library, ~ politics petitions pollution and pop culture

In the Library … Dr Suess


Happy Birthday ! repost

dr.suessin 1904, Theodor Geisel, better known to the world as Dr. Seuss, the author and illustrator of such beloved children’s books as “The Cat in the Hat” and “Green Eggs and Ham,” is born in Springfield, Massachusetts. Geisel, who used his middle name (which was also his mother’s maiden name) as his pen name, wrote 48 books–including some for adults–that have sold well over 200 million copies and been translated into multiple languages. Dr. Seuss books are known for their whimsical rhymes and quirky characters, which have names like the Lorax and the Sneetches and live in places like Hooterville.

Geisel, who was born on March 2, 1904, in Springfield, Massachusetts, graduated from Dartmouth College, where he was editor of the school’s humor magazine, and studied at Oxford University. There he met Helen Palmer, his first wife and the person who encouraged him to become a professional illustrator. Back in America, Geisel worked as a cartoonist for a variety of magazines and in advertising.

The first children’s book that Geisel wrote and illustrated, “And to Think That I Saw It On Mulberry Street,” was rejected by over two dozen publishers before making it into print in 1937. Geisel’s first bestseller, “The Cat in the Hat,” was published in 1957. The story of a mischievous cat in a tall striped hat came about after his publisher asked him to produce a book using 220 new-reader vocabulary words that could serve as an entertaining alternative to the school reading primers children found boring.

Other Dr. Seuss classics include “Yertle the Turtle,” “If I Ran the Circus,” “Fox in Socks” and “One Fish, Two Fish, Red Fish, Blue Fish.”

Some Dr. Seuss books tackled serious themes. “The Butter Battle Book” (1984) was about the arms buildup and nuclear war threat during Ronald Reagan’s presidency. “Lorax” (1971) dealt with the environment.

Many Dr. Seuss books have been adapted for television and film, including “How the Grinch Stole Christmas!” and “Horton Hears a Who!” In 1990, Geisel published a book for adults titled “Oh, the Places You’ll Go” that became a hugely popular graduation gift for high school and college students.

Geisel, who lived and worked in an old observatory in La Jolla, California, known as “The Tower,” died September 24, 1991, at age 87.