Stop and frisk is when police “temporarily” detain somebody and pat down their outer clothing when there are specific articulate facts leading a reasonable police officer to believe a person is armed and dangerous. It is not necessary for the officer to articulate or identify a specific crime they think is being committed, only that a set of factual circumstances exist that would lead a reasonable officer to have a reasonable suspicion that criminal activity is occurring. “Reasonable suspicion” is one step below “probable cause” and one step above a hunch.
A “frisk” by definition is a type of search that requires a “lawful stop”. It is best thought of as a separate act, but in practice, a suspect who refuses to answer questions in a stop may be providing the officer with sufficient justification to frisk. A frisk should not be for anything other than a dangerous weapon or contraband. However, if other evidence, like a suspected drug container, is felt, it can be seized by the officer under the “plain feel” doctrine. The test for “plain feel” is that the item’s contraband nature be “immediately apparent”.
Resource: uslegal.com
One of several problems with stop & frisk, is that most if not all Police demand name, address, question people of colour when in upper income communities and or assume gang affiliation least we talk about the percentage of Black Latino Asian or Caucasian men&women being stopped on a daily basis … is it a quota, a civil rights issue, a misuse or abuse of power ~ Nativergrl77
James Mercer Langston Hughes was born February 1, 1902, in Joplin, Missouri. His parents divorced when he was a young child, and his father moved to Mexico. He was raised by his grandmother until he was thirteen, when he moved to Lincoln, Illinois, to live with his mother and her husband, before the family eventually settled in Cleveland, Ohio. It was in Lincoln that Hughes began writing poetry. After graduating from high school, he spent a year in Mexico followed by a year at Columbia University in New York City. During this time, he held odd jobs such as assistant cook, launderer, and busboy. He also travelled to Africa and Europe working as a seaman. In November 1924, he moved to Washington, D. C. Hughes’s first book of poetry, The Weary Blues, (Knopf, 1926) was published by Alfred A. Knopf in 1926. He finished his college education at Lincoln University in Pennsylvania three years later. In 1930 his first novel, Not Without Laughter, (Knopf, 1930) won the Harmon gold medal for literature.
Hughes, who claimed Paul Lawrence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties. He wrote novels, short stories and plays, as well as poetry, and is also known for his engagement with the world of jazz and the influence it had on his writing, as in his book-length poem Montage of a Dream Deferred (Holt, 1951). His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance of the 1920s. Unlike other notable black poets of the period—Claude McKay, Jean Toomer, and Countee Cullen—Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including both their suffering and their love of music, laughter, and language itself.
The critic Donald B. Gibson noted in the introduction to Modern Black Poets: A Collection of Critical Essays (Prentice Hall, 1973) that Hughes “differed from most of his predecessors among black poets . . . in that he addressed his poetry to the people, specifically to black people. During the twenties when most American poets were turning inward, writing obscure and esoteric poetry to an ever decreasing audience of readers, Hughes was turning outward, using language and themes, attitudes and ideas familiar to anyone who had the ability simply to read . . . Until the time of his death, he spread his message humorously—though always seriously—to audiences throughout the country, having read his poetry to more people (possibly) than any other American poet.”
Langston Hughes died of complications from prostate cancer in May 22, 1967, in New York City. In his memory, his residence at 20 East 127th Street in Harlem has been given landmark status by the New York City Preservation Commission, and East 127th Street has been renamed “Langston Hughes Place.”
In addition to leaving us a large body of poetic work, Hughes wrote eleven plays and countless works of prose, including the well-known “Simple” books: Simple Speaks His Mind, (Simon & Schuster, 1950); Simple Stakes a Claim, (Rinehart, 1957); Simple Takes a Wife, (Simon & Schuster, 1953); and Simple’s Uncle Sam (Hill and Wang, 1965). He edited the anthologies The Poetry of the Negro and The Book of Negro Folklore, wrote an acclaimed autobiography, The Big Sea (Knopf, 1940), and cowrote the play Mule Bone (HarperCollins, 1991) with Zora Neale Hurston.
Selected Bibliography
Poetry
Collected Poems of Langston Hughes (Knopf, 1994) The Panther and the Lash: Poems of Our Times (Knopf, 1967) Ask Your Mama: 12 Moods for Jazz (Knopf, 1961) Montage of a Dream Deferred (Holt, 1951) One-Way Ticket (Knopf, 1949) Fields of Wonder (Knopf, 1947) Freedom’s Plow (Musette Publishers, 1943) Shakespeare in Harlem (Knopf, 1942) The Dream Keeper and Other Poems (Knopf, 1932) Scottsboro Limited (The Golden Stair Press, 1932) Dear Lovely Death (Troutbeck Press, 1931) Fine Clothes to the Jew (Knopf, 1927) The Weary Blues (Knopf, 1926)
Prose
Remember Me to Harlem: The Letters of Langston Hughes and Carl Van Vechten, 1925-1964 (Knopf, 2001) The Arna Bontemps-Langston Hughes Letters (Dodd, Mead, 1980) Good Morning, Revolution: Uncollected Social Protest Writings by Langston Hughes (Hill, 1973) Simple’s Uncle Sam (Hill and Wang, 1965) Something in Common and Other Stories (Hill and Wang, 1963) Tambourines to Glory (John Day, 1958) Simple Stakes a Claim (Rinehart, 1957) I Wonder as I Wander (Rinehart, 1956) Laughing to Keep From Crying (Holt, 1952) Simple Takes a Wife (Simon & Schuster, 1953) Simple Speaks His Mind (Simon & Schuster, 1950) The Ways of White Folks (Knopf, 1934) Not Without Laughter (Knopf, 1930)
Drama
Collected Works of Langston Hughes, vol. 5: The Plays to 1942: Mulatto to The Sun Do Move (University of Missouri Press, 2000) The Political Plays of Langston Hughes (Southern Illinois University Press, 2000) Mule Bone (HarperCollins, 1991) Five Plays by Langston Hughes (Indiana University Press, 1963)
Poetry in Translation
Cuba Libre (Anderson & Ritchie, 1948) Selected Poems of Gabriela Mistral (Indiana University Press, 1957)
On this day in 1851, Moby-Dick, a novel by Herman Melville about the voyage of the whaling ship Pequod, is published by Harper & Brothers in New York. Moby-Dick is now considered a great classic of American literature and contains one of the most famous opening lines in fiction: “Call me Ishmael.” Initially, though, the book about Captain Ahab and his quest for a giant white whale was a flop.
Herman Melville was born in New York City in 1819 and as a young man spent time in the merchant marines, the U.S. Navy and on a whaling ship in the South Seas. In 1846, he published his first novel, Typee, a romantic adventure based on his experiences in Polynesia. The book was a success and a sequel, Omoo, was published in 1847. Three more novels followed, with mixed critical and commercial results. Melville’s sixth book, Moby-Dick, was first published in October 1851 in London, in three volumes titled The Whale, and then in the U.S. a month later. Melville had promised his publisher an adventure story similar to his popular earlier works, but instead, Moby-Dick was a tragic epic, influenced in part by Melville’s friend and Pittsfield, Massachusetts, neighbor, Nathaniel Hawthorne, whose novels include The Scarlet Letter.
After Moby-Dick‘s disappointing reception, Melville continued to produce novels, short stories (Bartleby) and poetry, but writing wasn’t paying the bills so in 1865 he returned to New York to work as a customs inspector, a job he held for 20 years.
Melville died in 1891, largely forgotten by the literary world. By the 1920s, scholars had rediscovered his work, particularly Moby-Dick, which would eventually become a staple of high school reading lists across the United States. Billy Budd, Melville’s final novel, was published in 1924, 33 years after his death.
by uslegal.com
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