a google doodle worth reposting … google
a google doodle worth reposting … google
On this day in 2010, a magnitude 7.0 earthquake devastates the Caribbean island nation of Haiti. The quake, which was the strongest to strike the region in more than 200 years, left over 200,000 people dead and some 895,000 Haitians homeless.
The earthquake hit southern Haiti at 4:53 p.m. local time. The nation’s capital, Port-au-Prince, a densely populated city located about 15 miles from the quake’s epicenter, suffered widespread devastation. Countless dwellings were reduced to rubble, while hospitals, churches and schools collapsed and roads were blocked with debris. Numerous government structures were heavily damaged or destroyed, including the presidential palace, parliament building and main prison. (At the time of the quake, Haiti lacked a national building code, and many structures were shoddily constructed.) In the aftermath of the quake, amidst fears that victims’ decomposing corpses could spread disease, trucks picked up thousands of bodies and dumped them into mass graves.
Even before the earthquake, Haiti, which occupies the western third of the island of Hispaniola (the Dominican Republic occupies the other two-thirds), was the poorest country in the Western Hemisphere, with 80 percent of its 9 million residents existing in poverty. Political corruption and violence, disease, malnutrition and limited access to education were a way of life for many in Haiti, which gained its independence from France in an 1804 slave revolt.
A large-scale, international relief operation was launched soon after the quake hit, with the United States taking charge and sending thousands of military troops to Haiti to deliver supplies, assist with search-and-rescue efforts and help maintain order. Relief efforts initially were hampered by earthquake damage to roads, communication systems and the Port-au-Prince airport and main port.
Governments and individuals around the world made donations and pledges of aid to Haiti totaling billions of dollars. However, on the first-year anniversary of the disaster, reconstruction efforts were still in their infancy. Thousands of people left homeless by the quake were living in tents, and only a small portion of the heavy debris resulting from the disaster had been cleared.
i would like to add that the problem is getting access to education due to dollars and the fact that they are mostly privately run least we talk about the limited jobs in public schools and wages tend to be lower in non-public schools.
Women Who Ran for President
Who were the early women candidates for president? Hillary Clinton in her 2008 run for the Democratic nomination for US President came the closest so far that any woman has come to winning the nomination of a major political party in the United States. But Clinton is not the first woman to run for United States President, and not even the first to run for a major party’s nomination. Here’s a list of the female presidential candidates, arranged chronologically by each woman’s first campaign for the office. The list is current through the 2012 election; women running in 2016 will be added after that election’s over.
What woman ran for US president first? And which women have run since?
Equal Rights Party: 1872
Humanitarian Party: 1892
Victoria Woodhull was the first woman to run for president in the United States. Frederick Douglass was nominated as Vice President, but there’s no record that he accepted. Woodhull was also known for her radicalism as a woman suffrage activist and her role in a sex scandal involving noted preacher of the time, Henry Ward Beecher. More »
National Equal Rights Party: 1884, 1888Belva Lockwood, an activist for voting rights for women and for African Americans, was also one of the earliest women lawyers in the United States. Her campaign for president in 1884 was the first full-scale national campaign of a woman running for president. More »
Surprise Party: 1940Comedian and actress, partner with husband George Burns on the George Burns and Gracie Allen Show, Grace Allen ran for president in 1940 as a publicity stunt. She was not on the ballot — it was, after all, a stunt — but she did get write-in votes.
Communist Party: 1968Nominated by the (tiny) Communist Party in 1968, Charlene Mitchell was the first African American woman nominated for president in the United States. She was on the ballot in two states in the general election, and received less than 1,100 votes nationally.
Democratic Party: 1972She was the first Asian American to seek nomination as president by a major political party. She was on the Oregon primary ballot in 1972. She was at that time a member of the U.S. Congress, elected from Hawaii.
Socialist Workers Party: 1972Underage for the Constitution’s requirements for the presidency, Linda Jenness ran against Nixon in 1972 and was on the ballot in 25 states. In three states where Jenness was not accepted for the ballot because of her age, Evelyn Reed was in the presidential slot. Their vote total was less than 70,000 nationally.
James Mercer Langston Hughes was born February 1, 1902, in Joplin, Missouri. His parents divorced when he was a young child, and his father moved to Mexico. He was raised by his grandmother until he was thirteen, when he moved to Lincoln, Illinois, to live with his mother and her husband, before the family eventually settled in Cleveland, Ohio. It was in Lincoln that Hughes began writing poetry. After graduating from high school, he spent a year in Mexico followed by a year at Columbia University in New York City. During this time, he held odd jobs such as assistant cook, launderer, and busboy. He also travelled to Africa and Europe working as a seaman. In November 1924, he moved to Washington, D. C. Hughes’s first book of poetry, The Weary Blues, (Knopf, 1926) was published by Alfred A. Knopf in 1926. He finished his college education at Lincoln University in Pennsylvania three years later. In 1930 his first novel, Not Without Laughter, (Knopf, 1930) won the Harmon gold medal for literature.
Hughes, who claimed Paul Lawrence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties. He wrote novels, short stories and plays, as well as poetry, and is also known for his engagement with the world of jazz and the influence it had on his writing, as in his book-length poem Montage of a Dream Deferred (Holt, 1951). His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance of the 1920s. Unlike other notable black poets of the period—Claude McKay, Jean Toomer, and Countee Cullen—Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including both their suffering and their love of music, laughter, and language itself.
The critic Donald B. Gibson noted in the introduction to Modern Black Poets: A Collection of Critical Essays (Prentice Hall, 1973) that Hughes “differed from most of his predecessors among black poets . . . in that he addressed his poetry to the people, specifically to black people. During the twenties when most American poets were turning inward, writing obscure and esoteric poetry to an ever decreasing audience of readers, Hughes was turning outward, using language and themes, attitudes and ideas familiar to anyone who had the ability simply to read . . . Until the time of his death, he spread his message humorously—though always seriously—to audiences throughout the country, having read his poetry to more people (possibly) than any other American poet.”
Langston Hughes died of complications from prostate cancer in May 22, 1967, in New York City. In his memory, his residence at 20 East 127th Street in Harlem has been given landmark status by the New York City Preservation Commission, and East 127th Street has been renamed “Langston Hughes Place.”
In addition to leaving us a large body of poetic work, Hughes wrote eleven plays and countless works of prose, including the well-known “Simple” books: Simple Speaks His Mind, (Simon & Schuster, 1950); Simple Stakes a Claim, (Rinehart, 1957); Simple Takes a Wife, (Simon & Schuster, 1953); and Simple’s Uncle Sam (Hill and Wang, 1965). He edited the anthologies The Poetry of the Negro and The Book of Negro Folklore, wrote an acclaimed autobiography, The Big Sea (Knopf, 1940), and cowrote the play Mule Bone (HarperCollins, 1991) with Zora Neale Hurston.
Collected Poems of Langston Hughes (Knopf, 1994)
The Panther and the Lash: Poems of Our Times (Knopf, 1967)
Ask Your Mama: 12 Moods for Jazz (Knopf, 1961)
Montage of a Dream Deferred (Holt, 1951)
One-Way Ticket (Knopf, 1949)
Fields of Wonder (Knopf, 1947)
Freedom’s Plow (Musette Publishers, 1943)
Shakespeare in Harlem (Knopf, 1942)
The Dream Keeper and Other Poems (Knopf, 1932)
Scottsboro Limited (The Golden Stair Press, 1932)
Dear Lovely Death (Troutbeck Press, 1931)
Fine Clothes to the Jew (Knopf, 1927)
The Weary Blues (Knopf, 1926)
Remember Me to Harlem: The Letters of Langston Hughes and Carl Van Vechten, 1925-1964 (Knopf, 2001)
The Arna Bontemps-Langston Hughes Letters (Dodd, Mead, 1980)
Good Morning, Revolution: Uncollected Social Protest Writings by Langston Hughes (Hill, 1973)
Simple’s Uncle Sam (Hill and Wang, 1965)
Something in Common and Other Stories (Hill and Wang, 1963)
Tambourines to Glory (John Day, 1958)
Simple Stakes a Claim (Rinehart, 1957)
I Wonder as I Wander (Rinehart, 1956)
Laughing to Keep From Crying (Holt, 1952)
Simple Takes a Wife (Simon & Schuster, 1953)
Simple Speaks His Mind (Simon & Schuster, 1950)
The Ways of White Folks (Knopf, 1934)
Not Without Laughter (Knopf, 1930)
Collected Works of Langston Hughes, vol. 5: The Plays to 1942: Mulatto to The Sun Do Move (University of Missouri Press, 2000)
The Political Plays of Langston Hughes (Southern Illinois University Press, 2000)
Mule Bone (HarperCollins, 1991)
Five Plays by Langston Hughes (Indiana University Press, 1963)
Poetry in Translation
Cuba Libre (Anderson & Ritchie, 1948)
Selected Poems of Gabriela Mistral (Indiana University Press, 1957)
Masters of the Dew (Reynal & Hitchcock, 1947)