Tag Archives: Smithsonian Institution

NMAAHC Brings “Treasures​” to Houston on October 29 …National Museum of African American History and Culture


National Museum of African American History and Culture

National Museum of
African American History and Culture
Brings “Treasures” to Houston October 29
The Smithsonian’s National Museum of African American History and Culture and the Houston Public Library will co-host a program to help Houston-area residents identify and preserve items of historical and cultural significance tucked away in the attics, closets and basements of their homes. The freeevent will feature presentations, hands-on activities and preservation tips.The program will take place Saturday, Oct. 29, from 10 a.m. to 4 p.m., at the Houston Public Library Central Library, 500 McKinney Street, Houston. Free and open to the public, the event is the 11th in a series from the museum’s signature program “Save Our African American Treasures: A National Collections Initiative of Discovery and Preservation.” All are welcome.

Save Our African American Treasures in Indianola, MS
National Museum of African American History and Culture’s
“Save Our African American Treasures” program in
Indianola, MS in September 2011.
Photo Credit: Michael Barnes, Smithsonian Institution.

Participants may bring up to three personal items for a 20-minute, one-on-one professional consultation with experts on how to care for them. The specialists will serve as reviewers, not appraisers, and will not determine an item’s monetary value. Objects such as books, paper and textiles that are no larger than a shopping bag can be reviewed. No furniture, carpets, firearms or paintings are allowed. Additional information is available at nmaahc.si.edu, by emailing treasures@si.edu or by calling (877) 733-9599.

The “Treasures” program also includes the following activities throughout the day:

  • The Gregory School: The African American Library at the Gregory School is the newest special collections unit operated by the Houston Public Library. Learn how it developed and about the unique collections and services it provides.
  • Preservation Presentations: Informal basic preservation sessions will take place during the day. The sessions will provide information on preserving clothing and textiles, family photographs and papers, digital memories and explain the process to establish an object’s provenance. Participants will have the opportunity to ask questions.
  • Hands-on Preservation: In this hands-on activity, participants are invited to learn how to store letters properly, pack garments and prepare photographs for preservation storage and presentation.

As a companion to the series, the museum has produced African American Treasures: A Preservation Guide, a 30-page guidebook that is distributed free to attendees to highlight the importance of proper preservation techniques. The guidebook is part of the “Treasures” kit. Also distributed will be white cotton gloves, archival tissue papers and archival documents sleeves to help people keep their personal treasures safe.

Save Our African American Treasures in Dalllas, TX
National Museum of African American History and Culture’s
“Save Our African American Treasures” program in
Dallas, TX in June 2011.
Photo Credit: Michael Barnes, Smithsonian Institution.

“Save our African American Treasures” is made possible with support from the Bank of America Charitable Foundation and the W.K. Kellogg Foundation. The grants also support the pre-design and construction of the museum on the National Mall in Washington, D.C., scheduled to open in 2015.

For more information about The National Museum of African American History and Culture, visit nmaahc.si.edu or call Smithsonian information at (202) 633-1000, (202) 633-5285 (TTY).

For further information about the Houston Public Library please visit www.houstonlibrary.org or call 832-393-1313.

A Beautiful Mix — Art & History …NMAAHC


The feature picture is called “The Faces of My People” by Margaret Burroughs b.1917 and made of woodcut on paper.
National Museum of American History  
 
The Kinsey Collection: Shared Treasures of Bernard and Shirley Kinsey — Where Art and History Intersect 

Organized by the Bernard and Shirley Kinsey Foundation for the Arts and Education
NMAAHC Gallery, National Museum of American History

Throughout their over 40-year marriage, collectors Bernard and Shirley Kinsey have celebrated their heritage by seeking unusual souvenirs. From an early version of the Emancipation Proclamation to correspondence between Malcolm X and Alex Haley, the couple has amassed a trove of rare artifacts and artwork that spans four centuries and embodies the hardships and triumphs of the African American experience. Originally housed in a wine cellar in the Kinsey’s Los Angeles home, items from their private collection form The Kinsey Collection. 

 

The feature picture is called “The Faces of My People” by Margaret Burroughs b.1917 and made of woodcut on paper.

The Faces of My People
Margaret Burroughs (b. 1917)
Woodcut on paper

Over 100 artifacts, documents, and artwork spanning some 400 years of history will be on display in NMAAHC’s exhibition The Kinsey Collection: Shared Treasures of Bernard and Shirley Kinsey — Where Art and History Intersect. Select items from the extraordinary collection of Bernard and Shirley Kinsey, originally housed in their Los Angeles home, will illustrate the hardships and triumphs of the African American experience.

Organized by the Bernard and Shirley Kinsey Foundation for the Arts and Education. The exhibition will honor the lives of famous African Americans such as Frederick Douglass and Martin Luther King, Jr., as well as those whose history is not as well known. The Kinsey Collection will use objects including slave shackles, photographs, and written documents from the periods of slavery through the Civil Rights movement.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Tell Randolph County school board to reverse its ban on “Invisible Man” a repost – Black History


Black literature is under attack.Invisible Man book coverDemand Randolph County reverse its ban on Invisible Man at tonight’s meeting.Join Us

It took just one letter from an angry parent to convince a North Carolina school district to remove Ralph Ellison‘s Invisible Man from school libraries in the county. A short board meeting prompted by a single letter — describing one of the most significant pieces of Black literature in American history as “filthy” — was all that five members of the Randolph County Board of Education needed to feel justified in voting to ban the novel last week.1 It’s just the kind of quiet injustice — and officially-sanctioned bias — that happens behind closed doors in towns across the country all of the time. But this time, we have an opportunity to push back.

Just days after Randolph’s decision made national headlines, the school board called an emergency special meeting for tonight regarding the ban.2 If a couple of bad press hits is enough to make Randolph reconsider, imagine how powerful thousands of our voices can be.

The Board is meeting TONIGHT. Will you join us in demanding that the school board reverse its decision and return Invisible Man to library shelves? It only takes a moment.

This isn’t the first time in recent months that books by Black authors depicting American racism have been attacked. Earlier this month, the president of the Ohio Board of Education called Toni Morrison‘s The Bluest Eye “pornographic.”3 And in July, a Detroit-area school district came under fire for dumping a collection of over 10,000 volumes of invaluable Black books and artifacts.4 Enough is enough.

Banning Black stories not only alienates Black students, it denies all students the opportunity to engage with and discuss important themes like racial enmity in society and the development of personal identity. For elected officials concerned with the education of our young people, it’s particularly perverse that Randolph’s school board failed to recognize the irony of banning a book that’s about silencing critical voices and the ways in which racist culture restricts individuals from reaching their full human potential.

Please join us in calling on the Randolph County school board to reverse its book ban at tonight’s meeting. Together we can send a message about the critical value of Black literature in our schools.

Thanks and Peace,

–Rashad, Arisha, Matt, Kim, Hannah, Johnny and the rest of the ColorOfChange team.
September 25th, 2013

Help support our work. ColorOfChange.org is powered by YOU—your energy and dollars. We take no money from lobbyists or large corporations that don’t share our values, and our tiny staff ensures your contributions go a long way

References

1. “Invisible Man Banned: Ralph Ellison’s Landmark Novel Banned From School Libraries,” Huffington Post, 09-19-13
http://act.colorofchange.org/go/2956?t=9&akid=3136.1174326.F-YN-i

2. “Board to reconsider its ‘Invisible Man’ ban,” Asheboro Courier-Tribune, 09-20-13
http://act.colorofchange.org/go/2957?t=11&akid=3136.1174326.F-YN-i

3. “ACLU to Ohio schools leader: Toni Morrison’s ‘The Bluest Eye’ not porn,” News Channel 5, 09-12-13
http://act.colorofchange.org/go/2958?t=13&akid=3136.1174326.F-YN-i

4. “Discarded Black history books incite protests in Detroit,” Amsterdam News, 08-10-13
http://act.colorofchange.org/go/2959?t=15&akid=3136.1174326.F-YN-i

The Smithsonian & The Right’s Culture Wars …a message from Michael Keegan


So, this popped up … Things that should not be forgotten and btw he is now a former Sec of the Smithsonian but has Emeritus status at the GA Institue of Technology! ugh

The article below is revelant though mr Keegan posted it in 2011 …

I just posted the following piece to The Huffington Post and thought you might be interested:

The Battle over the Smithsonian and the Right’s New Culture Wars

This week, protesters marched on the National Mall to demand that the Smithsonian’s Board of Regents dismiss Smithsonian Secretary Wayne Clough for his role in removing a work of art from one of the institution’s museums and his continual bungling of the institution’s response in the two months since its removal. Although one Smithsonian regent openly implied that removing the art was a mistake, the board ultimately declined to rebuke Clough, effectively closing the door on the possibility of undoing the damage done by the censorship. But the bigger fight that the Smithsonian debate represented–over the efforts of a small and vocal group on the Right to define American values for us all–is just beginning.

As the newly empowered House GOP gears up to start culture wars on issues from reproductive rights for women to religious freedom for American Muslims, there’s an important lesson to be learned from what happened this winter at the Smithsonian. Institutions and individuals will continue to come under attack from the Right’s powerful extremist-to-media-to-politician echo chamber. But, as the Smithsonian’s experience showed once again, there is little to be gained by caving in to this loud and usually dishonest bullying. Clough’s attempt at compromise–instantly removing a work of art from an important exhibit–only drew louder threats to censor the exhibit as a whole, while causing some of the Smithsonian’s strongest supporters to lose trust in the institution. Despite what most might hope, the Right is not going to stop its culture war campaigns anytime soon. The only thing the rest of us can do is aggressively tell the truth, unapologetically stand on principle, and refuse to back down.

In a report last year, People For the American Way profiled what we call “the new McCarthyism“–a type of demagoguery that hinges on the idea that America and all it stands for is being destroyed by enemies within. This new McCarthyism–in full display in the paranoid tirades of Glenn Beck, in the widespread fear that President Obama is an un-American imposter–has a new foothold in Congress, where Rep. Peter King plans to hold hearings investigating American Muslims and prominent lawmakers spread myths about immigrant “anchor babies” in order to replace real efforts at immigration reform with unfounded fears about immigrants. The House GOP’s fit over “anti-Christian” and -gasp!–gay art in the Smithsonian was a small but powerful example of this dynamic in action. GOP leaders, encouraged by far-right activists, created a narrow definition of what it means to be truly American–straight and a certain type of Christian–and in doing so framed the rest of us as impostors.

The Right’s so-called “culture wars” are more than just a sideline distraction–even manufactured controversies can do real harm. The Smithsonian controversy was a flashy and media-ready story, but it set the tone for the many manufactured battles to come. In coming months, we must be ready to step up and make just as strong a defense of women’s health organizations; of American Muslims; of gays and lesbians; of judicial nominees; of science and history; and yes, of our national museums. Not all of these issues are as exciting and easily categorized as that of censorship in our nation’s capital. But it will be just as important that we all stand up to attempts to narrow the definition of what it means to be American.

It’s disappointing that the Smithsonian’s secretary and board were so quick to give in to the Right’s demagoguery and bluster. Clough’s succumbing to censorship left a stain on his record at the head of the Smithsonian and unfortunately seems to have damaged the credibility of the institution. Cloughs’s two months of virtual silence followed by the board’s effective endorsement of his action have only made it worse. But the Smithsonian’s decision is not the final word on the power of the Right’s new-found zeal for culture wars. Instead, it’s a reminder of how important it is to stand up to those who, in attempting to root out an imaginary enemy within, threaten the vibrant diversity and individual liberties of our democracy.

By The WaY – more information on Mr Clough

Gerald Wayne Clough is President Emeritus of the Georgia Institute of Technology and former Secretary of the Smithsonian Institution. A graduate of Georgia Tech in civil engineering, he was the first alumnus to serve as President of the Institute

In this era of Covid19 ,  Racist Hate and Death to unarmed Black Brown men and Women …

We are the Change we seek- Obama

  • Nativegrl77

Season’s Greetings … NMAAHC


National Museum of African American History of Culture
Season's Greetings
National Museum of African American History of Culture
As you reunite and celebrate with your loved ones this holiday season, I want to thank you for all that you have done to help build the Smithsonian’s National Museum of African American History and Culture.
With your support, 2013 has been a great year for the Museum. The future museum site is a frenzy of activity as we continue to raise the walls and support columns. To date, we’ve collected over 23,000 artifacts including two large pieces — a Southern Railway railroad car (segregated) and a guard tower from Louisiana State Penitentiary at Angola — that will be a part of our inaugural exhibition on segregation.  All of this progress is thanks to friends like you.
I wish you and your loved ones peace and joy this holiday season and into the New Year.

Lonnie G. Bunch Sincerely, Signature Lonnie G. Bunch Director